Review: 'Serious Candy' captures Terry O'Shea's elusive nature

Critic's Choice
Terry O'Shea, "Runes," circa 1968, cast resin, 3 x 1/2 inches. (From Craig Krull Gallery and additionally the Terry O'Shea estate)
August 2, 2013, 5:15 p.m.
In the late 1960s and also early '70s, Terry O’Shea (1941-2002) produced some terrific works of art which are doubly invisible. they are possibly dismissed (as they were by the official organizers regarding Pacific standard Time), or even treated just like cute small sidekicks to the large guns of resin — artists for example John McCracken, Craig Kauffman and De Wain Valentine, whom put Los Angeles on the map by simply playing fast and also free with conventional distinctions between painting as well as sculpture.
In a new little facet room from Craig Krull Gallery, a new nifty little exhibition of 14 tiny sculptures as well as 5 page-size sketches suggests that if O’Shea had been alive nowadays he’d choose to possess his functions dismissed when compared with handled as souvenir tokens of the good old days.
Measuring just 3 inches long, O’Shea’s multicolored, multilayered resin sculptures resemble pharmaceuticals — not really the actual mass-marketed items churned out through large drug companies, but one-of-a-kind, very customized versions that seem to be as if these were.

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created by method of a renegade in a basement lab, every with almost all the precise desires of the specific recipient in mind.
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Likewise, O’Shea’s wispy drawings, made regarding different dyes dripped on to sheets involving paper, recall one technique regarding delivering LSD.
But the most important feature of O’Shea’s artwork is its furtive, even fugitive quality — its refusal to end up being able to have confidence in any intermediaries that might arrive between maker along with user, artist and also viewer.
O’Shea’s sculptures are generally tiny and his awesome sketches elusive since neither seeks your spotlight nor strives for comparador de cuotas that headlines. Even when displayed publicly, their own effects tend to be invisible, buried deep within the labyrinths of human imaginations, psyches and minds.
This will be underground artwork from its best: completely visible but available only to those who dig it.
Craig Krull Gallery, 2525 Michigan Ave., Bergamot Station, Santa Monica, (310) 828-6410, via Aug. 31. Closed Sun. and Mon. www.craigkrullgallery.com

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Review: Death has never sounded sweeter

Bernard Labadie, right, conducts the Los Angeles Philharmonic in the The demonstrate biz industry Bowl. (Lawrence K. Ho, Los Angeles Times / August 1, 2013)
August 3, 2013, 4:30 a.m.
Had somebody asked me before any performance of Pergolesi's "Stabat Mater" at the The demonstrate biz industry Bowl on Thursday night what I thought about Scott Simon's live tweeting his mother's death, I could have answered that I'm not really among the multitude regarding moved twitterati. I interpreted an NPR newscaster's employment associated with sympathy as a kind of psychological self-aggrandizement, a new warm bath regarding pathos.
You could, however, degree the same complaints against Pergolesi. He sugarcoated as sorrowful the text as you'll discover within the liturgy. He completed his inspired score as he lay dying regarding tuberculosis inside a Franciscan monastery throughout 1736. He was barely 26. With a period when to end up being able to tweet would have merely branded you a bird, he put down in order to basically tweet concerning his final days.
But, it's really a glorious work. The Actual performance through the Los Angeles Philharmonic, conducted through Bernard Labadie and using a pair of emotionally pertinent vocal soloists, ended up being stirring in its immediacy. I loved it.
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The middle associated with life is working with death, and death is actually always, regardless how public, merely personal. so in the big event it arrives in order to Simon, Pergolesi teaches us, he's entitled. We almost all are.
The 1st lines involving Latin text, as translated on the Bowl's video monitors, were these: "The mother stood sorrowing,/by the cross,/while your ex son hung there." but what was initial heard within the string orchestra (which additionally included any little portable organ and a lute referred in order to as any theorbo) was your creamiest audio you'll become able to imagine. The idea had been pure butter.
Their vocal lines seductively intertwining, your brilliantly dynamic soprano Karina Gauvin and the deeply expressive alto Ann Hallenberg might have been performing with the richest amusements. We picnic in the Bowl. Wine flows. It's a spot with regard to pleasure. has death at any kind of time been sweeter?
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Although Thursday was the initial occasion Pergolesi's work have been performed in the Bowl, the actual piece has extended been popular, also it may be well-known for the same reason Pergolesi had been most favored inside his day. His talent bloomed finest in opera buffa.
The "Stabat Mater" has become his favorite perform with the public (the comic opera "La Serva Padrona" is probably second), as well as it was a popular amongst record collectors decades back when Baroque vocal songs had not been almost as commonplace since it is actually today.
I suspect few listened using any kind of attention for the meaning in the words. The Actual shape of Pergolesi's score is a dozen short, exquisite solo arias or perhaps duets, each along with every having a little packet of text, the majority of around the tweet's length. Each Along With Every is truly a brief document via Golgotha of a mother reporting on her behalf son because he succumbs.
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Where exactly does Pergolesi, together using his utterly seductive music, take us? He can be sad (if in absolutely no way devastatingly) and quite often agitated. and Labadie brought these elements out in the strongly accented, at times clipped yet totally dedicated performance. Gauvin and also Hallenberg are not fearful of strong expression or even excellent bursts associated with beauty. Joy seemed like it could be within the cards. Solace was not requested. Grace had. Sports activities betting is an activity of predicting sports benefits by producing a wager on the outcome of a sporting occasion. Possibly far more than other types of gambling, the legality and standard acceptance of these sports betting varies from nation to country. The pioneer in gambling of all varieties, specifically horses, greyhounds and sports has been the United kingdom. Nevertheless, because 2002 is staying carried out all the expansion of virtual betting homes, focusing on sports betting, which is coming to all European and American countries. A sample of this growth can be located in the detail of that sports betting is the existing sponsor of True Madrid.

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been employed.
But I kept coming back again in order to pleasure. Pergolesi couldn't quit entertaining correct up for the end. Regardless Associated With Whether it absolutely was since regarding failing power or a message, I can't say, however the concluding "Amen" will be hasty, and in addition the impact is that your important part of what it's just about all about are merely able to end up unsaid.
You depart something like this knowing anything with regards to madness of death when compared with before. Still, life can appear for you to be just slightly a lot more special.
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The Canadian conductor began the plan with the final of Haydn's 104 symphonies, your "London" (there really are generally a couple more, however that's a lengthy story). The Actual piece has never seemed if you might well ask me a fitted near to not merely the first fantastic symphonic oeuvre but inside addition probably the most extensive excellent one. Other People have got created more. Any month as well as two ago, Finnish conductor and also composer Leif Segerstram had reached 270, but he's been known to complete 3 symphonies inside a day, thus he could get topped 300 by now.
Haydn didn't create a new dog. The Particular "London" features his mature tricks. The Particular composer has been also clever in order to remain predictable for extremely long (although more time here as compared to in some other symphonies). There are themes that delight. the last movement will be exciting, especially when given Labadie's drive. Nevertheless your "London" is significantly more any masterful score from the master's impeccable workshop when compared to always be able to a masterpiece.
An early audio specialist, Labadie probes Pergolesi's Baroque style, whereas he pushes less convincingly inside the later on Classical time period involving Haydn (as has been furthermore shown throughout Labadie's Classical plan at the Bowl upon Tuesday). His Haydn emphasized boldness whilst remaining within interpretive reason. The Actual L.A. Phil played sensitively. However the Pergolesi was wondrous.
[For the record: An earlier version of this review misspelled theorbo.]
mark.swed@latimes.com

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Copyright © 2013, Los Angeles Times
The lute-like instrument can be called "theorbo," not really "theorebo."  This error echoes an earlier one through Richard Ginell inside his review of the 2004 concert regarding Hesperion XXI in the Getty Center, where he referred towards the instrument played by Ferran Savall as "the orbo."
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Evaluation: a city's unrealized ambitions in 'Never Constructed Los Angeles'

August 3, 2013, 5:00 a.m.
Los Angeles hasn't been large in regret.
For most of your city's history we've been consequently busy charging forward, inventing and also reinventing the particular future, in which we've rarely paused to be able to surprise what might possess been.
In architecture, when we do appear back, we usually concentrate more on mistakes regarding motion as compared to inaction. We mourn the actual landmarks we've knocked down as opposed to the ones we failed to construct within the first place.
But how do you catalog a good reputation for mistimed, misguided or ill-fated ambition? Exactly what of a preservation movement for your tips along with designs in which practically made it?
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"Never Built Los Angeles," a revelatory new exhibition in the Architecture and design Museum on Wilshire Boulevard, can end up being a initial step because direction, an try to corral the particular city's most lovely architectural ghosts and also put them on public view.
Curated by simply architectural journalists Sam Lubell as well as Greg Goldin, the actual show provides a rich parade associated with proposals regarding civic projects throughout Los Angeles as well as Southern California — simply by architects including Frank Lloyd Wright, Richard Neutra, Paul Williams, Rem Koolhaas, Steven Holl, Frank Gehry and Jean Nouvel — in which for a variety regarding reasons never got off your drawing board.
The range of tasks are vast. The Actual display consists of parks, monorail systems, movie theaters and churches which appeared, since the curators put it, "on paper along with nowhere else." There are doomed master plans here, stillborn office towers and also DOA museum wings.
Between 1920 along with 1930 alone, Los Angeles considered a strategy to have got an extensive subway and elevated-train system, any number of Area Lovely arches along with fountains along the length involving Wilshire Boulevard plus a county-wide proposal (by your Olmsted Brothers firm, led simply by sons with the Central Park designer) for manufacturer new parks and also open space.
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Had even among individuals 3 tasks been completed, the character regarding Los Angeles could be strikingly different. That would be an even more public-minded, greener along with maybe a way more equitable town laptop as well as computer is now.
You could possibly place together any demonstrate such as this about just about any big American city. in Los Angeles, though, the particular length among what's offered up towards the public as well as what will get built continues to end up being able to be unusually wide.
Our paper architecture is actually less about theory and more in regards to the drive to end up being able to alter a town that has always seemed singularly full of possibility. Our planning procedure features centered — and is constantly about the concentrate — about one-off, big-ticket mega-projects at the expense of your more affected person and comprehensive approach, providing architects as well as developers incentive in order to swing for that apuestas de futbol fences whilst leaving the actual score card littered using strikeouts.
At the same time, we've always been hamstrung, our ambition stunted, through deep disagreements in what sort of town we wish for you to be: horizontal or perhaps vertical, respectable as well as happily idiosyncratic, extending the traditions associated with New England and also European capitals or perhaps eager to interrupt via them.
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Not just about all in the tasks inside the demonstrate provoke regret. A Lot More when compared with several qualify as bullets mercifully dodged, including a 1965 program with an offshore freeway, referred to be able to as Causeway, running through Santa Monica Bay.
What emerges is truly a nuanced portrait of this city's tendency in order to flirt along with then stop trying on main civic initiatives. Caution cuts each ways. In case we'd been a bolder city inside regards to public architecture in the 1960s, these days we may have a county museum upon Wilshire Boulevard designed through Mies van der Rohe. but we might possess the Causeway too, or even a freeway by means of Laurel Canyon.
On view by means of Oct. 13, the actual exhibition can be outside of "Pacific Regular Moment Presents: Modern Architecture inside L.A.," your Getty-sponsored number of architecture exhibits that will have been opening all through Southern California this spring as well as summer. "Never Built" had been originally planned to operate well ahead associated with time involving PSTP.
But by simply appearing now — as a coda to the Getty exhibits so when the actual town welcomes a new mayor — "Never Built" picks up new shades regarding meaning and also arguably higher influence.
Though smaller, scrappier and less even within its presentation, "Never Built" works particularly well as being a sequel or perhaps companion piece towards the Getty's "Overdrive," the anchor display inside the PSTP series.
Copyright © 2013, Los Angeles Times
eyeful: "it's a town which includes so small pride, class, foresight, willpower in which it boggles the mind."
It's furthermore virtually the purposeful, willful ignorance, neglect as well as incompetency which comaprador de apuestas seems to have affected many individuals inside Los Angeles through the actual decades. Our local talking heads and also supposed urban experts -- inside tandem together with apathetic public officials -- can't even deal with the fundamentals that some other communities no much less than seem to possess a clue about:
http://youtu.be/BkQlqxE8SmY
http://youtu.be/sHSxEQegwuQ
A freeway on Santa Monica Bay?  That's just among the many irrelevant "grand ideas" in apuestas de futbol this show. 
Peopole should be interested in what a fantastic many locals tend to be making an effort at daily - just like improved public transportation, a wholesome environment, excellent schools, better parks, safer neighborhoods. This specific "utopia" stuff can be useless today...
It's very obvious in which Los Angeles hasn't been large about regret. Pertaining To example, the particular choice simply by Angelenos decades in the particular past to leave a huge portion in the city's network associated with.

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The tricky business of your Santa Monica street performer

August 3, 2013, 9:00 a.m.
Bill Okal's opening line is actually one of the actual oldest tricks inside the close-up magic book: undersell the talent, then dazzle all of them with your very best cards.
"I truly merely do a couple of tricks," the Bakersfield resident says apologetically to the a couple of families standing facing him about the Santa Monica Pier on the current Saturday morning. He taps on 3 brass demi-cups perched the additional way up on a weathered cabaret table along with pom-pom trim. "One can be together with cups, which in turn I'm positive you've seen before…. Your other, if a person are ready regarding this, will end up being the legendary egg trick involving Max Malini!"
The 76-year-old magician cups his hand to always be able to his ear. "Folks, this is actually not television, I want a little much more enthusiasm if we're going to make this work," he continues, flashing the Cheshire grin. Upon cue, everybody laughs plus a dozen a lot more passersby stop, sufficient for the demonstrate to go on.
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Traditional street shows may be considered a difficult sell in today's era involving mystifying televised performances by high-profile illusionists and also endurance artists for example David Blaine ver futbol en vivo and Criss Angel. Nevertheless regarding Okal, captivating unsuspecting passersby together with ages-old tricks can be a thrill that, with regard to now with least, is worth the particular hassle. The Majority Of Thursdays or perhaps Fridays, Okal leaves his wife as well as grip glue powering (he repairs golf equipment throughout his spare time) to make the actual four-hour round-trip commute to Santa Monica.
His 1st trick of the morning, if he's lucky: landing a new lottery-driven performance spot.
"I love the complete procedure for street performing, the difficult work to getting individuals to really need to watch you," he says after getting a performance, wiping sweat from beneath his bolo hat. "Problem is, it's gotten truly tough lately to get the spot."
The challenge can be securing among the particular city's premier along with tourist-flooded outdoor street phases (at the particular Pier, Third Street Promenade or Transit Mall). Within Santa Monica, your parks, beaches along with other public locations are "open" performance spots. Los Angeles has a similar policy; street doing can be legal with out the permit, although restrictions similar to sound limits along with regardless regarding whether performers could request pertaining to donations vary widely.
The Pier furthermore operated on the first-come, first-serve foundation until 2010, if the area create a lottery system to handle the physical confrontations that frequently broke out in between performers, says Aurora Piña, pier operations manager.
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A snake charmer that moves simply by Pharaoh puts it much more bluntly. "It got rough sometimes, several pretty bad fights," he says, chatting along with Okal after a recent lottery, snake-filled suitcase in tow.
Though Okal as quickly as landed a new performance venue regularly, he considers a new "good weekend" booking 2 morning spots. each of the pier's 24 designated venues is divided into three-hour performance increments , however eight regarding these spots are generally unavailable even although the Pier undergoes a new 12-month renovation. Okal doesn't try for the afternoon slots since with the heat.
According in order to Piña, as numerous as 50 street artists (musicians, jugglers, cartoonists and also the like) compete for anyone restricted spots in summer weekends. Several choose in order to camp out inside the park on Ocean Drive as opposed to offer with all the lottery, however Okal even now holds out for that possibility of a captive ocean-front audience, even if that means performing only 1 time over the actual weekend. "People don't pay attention, there's a lot of going on," he says with the Promenade and also parks.
The Pier additionally sees greater than 6.5 million visitors annually, pretty good odds that several passerby may well not have access to seen among the oldest-known illusions.
Cups along with balls
"This trick is so old, there will be a painting associated with it on the wall inside Egypt," he says, pausing for effect halfway via the particular show. He rotates 3 brass demi-cups filled up with tiny balls around his table. (Whether your Egyptian mural depicts the particular "cups and balls" trick or perhaps a distinct game is actually debated amongst scholars; your trick dates no less than to become able to Roman times, when stones as well as vinegar cups were used.)
Okal lifts your cups as well as nearly everybody within the crowd, now a lot a lot more than three-dozen viewers strong, gasps; the tiny balls are already replaced simply by baseballs. "You're not really planning to believe this, but the great deal of times I do that, folks really additionally applaud," he jokes, clearly savoring himself with most the present entirely swing.
Okal, the self-described "shy kid" from Springville, N.Y., wasn't usually so comfortable onstage. He met his 1st group involving conjurers in the late 1950s when he hit the wrong elevator button for you to his community school dorm room floorboards and also "suddenly the door opens to just about all or any of those magicians performing tricks." He stayed most night.
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In 1961 he position the card tricks about maintain and enlisted inside the U.S. Army Band Program. An Army pal informed him of a magician named Eddie Fechter which owned numerous bar venues inside the Buffalo area. "I spent a lot occasion at Eddie's bars, he finally informed me I needed to either do one thing or even go away," jokes Okal.
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That's any bowler hat, not just a bolo hat.
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U.S. bombing seen through artist's eye inside 'After Hiroshima' book

"Front along with back of your Leaf from a 2nd Generation A-bombed Chinese Parasol Tree," silver gelatin get within touch with print of a rubbing, simply by elin o'Hara slavick, 2009. (elin o'Hara slavick, Cohen Gallery / August 4, 2013)
August 3, 2013, 9:00 a.m.
Aug. 6, your anniversary of the U.S. bombing involving Hiroshima throughout world War II, is to begin a date which includes been ingrained inside the consciousness associated with artist elin o'Hara slavick so lengthy as she can remember. Your daughter involving activist parents, she vividly remembers participating in your annual Hiroshima Day throughout Monument Square in her hometown associated with Portland, Maine, within the 1970s, playing the woman's parents' oratory.
It wasn't until 2008 she finally stood a possiblity to visit your Japanese town along with her family members when the woman's epidemiologist husband received any fellowship to review there. As soon As there, the lady embarked on a project in order to document what remains regarding Hiroshima along with what disappeared that fateful day within 1945. Your outcomes are usually presented in the book "After Hiroshima" (Daylight Books).
"I wished to show people what was lost," mentioned the actual art professor at the College regarding North Carolina, Chapel Hill, conscious that your ex unusual technique of employing actual artifacts which survived your blast could trigger ethical concerns.
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Contrasting graphic images commonly associated with the bombing, the girl 56 photographic works aim to show remnants in the poetic form to become able to take straight into consideration Hiroshima in a new way.
She focused on objects such as getting a lone blue bottle, the locks comb or even the countertop from certainly one of your couple of remaining buildings that withstood the blast. Your images add a series of photographs, cyanotypes along with rubbings associated with bombed objects and also surfaces.
For the actual number of cyanotypes, slavick borrowed artifacts from the Hiroshima Peace Museum's 90,000-piece collection donated by people of survivors. Objects had been put on sunprint paper, exposed to the sun, then rinsed together with water. exposure is actually a key element in her method whether or even not it's exposure in order to radiation, sun or perhaps light. Your outcome is a white object surrounded by a cool bluish background emanating any celestial, shadowy effect.
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"It's not really the thing itself, it's in addition your shadow," she noted. "When your bomb exploded it basically incinerated people, plants, bridges, everything, leaving both black or even white 'death' shadows."
The rubbings of the floors, countertops along using a bank vault door were taken in the former Imperial Bank, that was near to the hypocenter with the bomb. That remained ver futbol en vivo in business until 1992, when it was transformed in to a cultural center in which usually the artist held the girl initial demonstrate regarding Hiroshima images within 2011.
It had been important with regard to slavick to position the paper immediately about the A-bomb surfaces such as the parquet ground within the bank or even leaves gathered through certainly one of the 60 trees that.

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She'd rub any black wax crayon around the paper over the object to end up being able to produce a negative imprint, which in turn was then made into a silver gelatin get throughout touch with print. The Actual outcomes resemble X-rays, internally illuminated. "It's much more symbolic as well as conceptual," slavick noted. "A method to feel relating in order to this lingering trauma and the outcomes of radiation." Publicity will become the thread operating by means of your ex work, from the sun, light, radiation or even history.
The political artist struggles with the ethics of developing artwork which is aesthetically stunning coming from this kind of horrific event. through artwork your woman feels she can reach folks in the distinct way. "I do think beauty can be radical and also subversive," mentioned slavick, that dealt with just regarding all the exact same dilemma along with your ex initial book, "Bomb Following Bomb: The Violent Cartography."
"In the essay pertaining to 'After Hiroshima,' my former professor, James Elkins writes that he doesn't determine my project is actually ethically sufficient but it is ethically necessary."
An exhibition associated with slavick's Hiroshima artwork will most likely be on view in the Stephen Cohen gallery in Los Angeles from Sept. 19 in order to Nov. 2.
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Hiroshima anniversary events
Remembering Sadoko, Hiroshima girl involving "Thousand Paper Cranes" story
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Why would any person always be interested within the psychbabble, selfish expression, ramblings of your white hippie girl? An Individual suggest ther have been absolutely no artists who really lived via or even are descended through and also live in Hiroshima as comaprador de apuestas well as Nagasaki worth showing? Causcasian girls rule? LMAO! sadly. 
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Diahann Carroll honing stage chops anew with regard to Broadway 'Raisin'

Diahann Carroll inside June 2013 from Females throughout Film's Crystal + Lucy Awards. Carroll will star opposite Denzel Washington inside a 2014 Broadway revival regarding "A Raisin inside the Sun." (
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class="photographer">Mark Davis/Getty Images
/ August 3, 2013)
August 3, 2013, 4:25 p.m.
Diahann Carroll is no theatrical Rip Van Winkle, although 1 may believe that was the case, going simply by early studies regarding the woman's recently announced go back again to Broadway next spring opposite Denzel Washington in Lorraine Hansberry’s “A Raisin in the Sun.”

The producers noted in their announcement  with the revival which it will most likely be Carroll’s “first Broadway visual appeal in more than 30 years” – the most current one having been a short fill-in turn throughout 1983 as the psychiatrist throughout “Agnes of God.” Carroll stepped throughout for any couple weeks while Elizabeth Ashley took the breather and enjoyed the actual portion enough to play it in the subsequent tour.
Carroll, whom just lately turned 78, will not, inside fact, have got decades involving cobwebs to remove when it will come for an individual to resuming live performance. Inside 2010, your woman starred throughout an autobiographical musical one-nighter in the Annenberg Theatre throughout Palm Springs, “Diahann Carroll: Your Lady, The Particular Music, Your Legend,” which in turn PBS taped regarding subsequent airing that fall.
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She performed any variety of reside concerts around that will time, including becoming a new member of Michael Feinstein to get a program of Frank Sinatra songs in a fall gala with New York's Lincoln center within 2009.

Southern California audiences lately noticed Carroll in a dramatic stage role in 2002 at the Pasadena Playhouse, when she starred opposite Phylicia Rashad as a mother-in-law and daughter-in-law which rub each other a bad strategies by “Blue,” Charles Randolph Wright’s  play about a prosperous black family members inside South Carolina.

Carroll brought “a withering hauteur” compared to always be able to that role, according for the Los Angeles times review.

As Lena Younger within “Raisin,” scheduled to begin Broadway previews March eight and also run to June 15, 2014, she’ll tackle any classic, supremely relocating portion that’s marked by enjoy along with dignity, or even much hauteur.

Lena desires associated with providing her Chicago loved ones a much better existence right after your ex husband dies: she’ll utilize the $10,000 lifestyle insurance payment to get a residence within the leafy all-white suburb of Clybourne Park.  When your ex son, Walter Lee Younger, who'll become played simply by Washington, loses nearly just about all of the cash in the poor company deal, the problem gets for a person to be if the blow will destroy him along with tear the actual family apart.

The cast furthermore will feature Sophie Okonedo as Walter Lee’s wife, Ruth, along with Anika Noni Rose as his younger sister, Beneatha.
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Kenny Leon, who directed Sean “Diddy” Combs, Rashad as well as Audra McDonald inside the only prior Broadway revival regarding “A Raisin in the Sun” within 2004, is again to find a second go. Rashad along with McDonald took residence Tony awards playing Lena as well as Ruth, however the show didn’t get a Tony nomination with regard to very best revival of the play.

In the actual restacked deck, Washington’s A-list acting credentials (including the 2010 best-actor Tony beneath Leon's direction in August Wilson’s “Fences”) might trump an A-list hip-hop star (Combs) with regard to critics along with Tony voters.
Carroll played a new grandmother within the current film, "Peeples" and it has had a recurring role as being a wealthy widow around the USA network television series, "White Collar." Your Woman assisted create television history inside 1968 starring in the title role of the NBC sitcom "Julia," playing a nurse as well as war-widowed single mom in a notable departure via then-prevalent stereotypes with regard to black females on TV.
 “Raisin” will be Carroll’s fourth play about Broadway, where she debuted after 1954 within the musical “House of Flowers,” the flop despite any jaw-dropping expertise roster that also included Pearl Bailey along with Alvin Ailey in the cast, Peter Brook directing, Harold Arlen composing the music as well as Truman Capote contributing the book as well as (with Arlen) lyrics, and also Herbert Ross and casas de apuestas also Geoffrey Holder as choreographers.

She won any 1962 Tony Award regarding very best actress inside a musical on her role in “No Strings,” Richard Rodgers’ now-forgotten stab in writing lyrics as well as audio following your 1960 death regarding lyricist Oscar Hammerstein II. Carroll’s musical stage credits additionally include a long run inside the mid-1990s as Norma Desmond within the Toronto production of Andrew Lloyd Webber’s musical version associated with “Sunset Boulevard.” 
PHOTOS: Arts as well as culture throughout photos through The Actual Times

"A Raisin inside the Sun" will be among the actual landmark plays within American theater history -- among the initial along with finest stage dramatizations of black lifestyle within post-World War II America. Hansberry won the 1960 Pulitzer Reward for drama, nevertheless your ex play was shut out in Tony night since of the landslide for “The Miracle Worker.”

William Gibson (best play), Arthur Penn (director) along with Anne Bancroft (best actress on her depiction involving Helen Keller’s teacher, Annie Sullivan) won awards over Hansberry, director Lloyd Richards and Claudia McNeil as Lena. Sidney Poitier, as Walter Lee, lost out to be in a position to Melvyn Douglas, the winner with regard to his component inside “The best Man,” and Ruby Dee was not nominated as Ruth. 
In L.A., Ebony Repertory Theatre revived “Raisin” throughout 2011, using Rashad directing, also it transferred within 2012 for the Kirk Douglas Theatre  within Culver City, packaged by center Theatre group in the time-spanning, crosstown diptych using its simultaneous manufacture of Bruce Norris’ “Clybourne Park” in the Mark Taper Forum.

 “Clybourne Park,” that won any Pulitzer Award plus a best-play Tony Award, centered first about the white family members -- unseen within "Raisin" -- that’s with regards to to be able to sell its home towards the Youngers inside the late 1950s, then skips to the twenty-first century and tensions between your present generation regarding Youngers and white arrivals whom they regard dimly as would-be gentrifiers of what’s now considered a new historically black neighborhood.
ALSO:
Diahann Carroll leads the means by which about stage as well as screen
What that they gleaned through one `Raisin' - a new universal voice
Theater review: `A Raisin in the Sun' in the Kirk Douglas Theatre

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PHOTOS: Showmanship stars about stage

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Copyright © 2013, Los Angeles Times
For The Actual Record: "A Raisin Inside The Sun" didn't earn your Pulitizer Award with regard to Drama 1960, that honor went along to Fiorello. in addition, the extremely first Black dramatist in order to win the actual Pulitizer Award regarding Drama was Charles Gordone, pertaining to "No place To Become Somebody."
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Kenya: Uhuru Disbands 'Kenya From 50' Committee More Than Budget

PRESIDENT Uhuru yesterday disbanded the committee chaired by simply Interior Principal Secretary Mutea Iringo which showed up having a Sh2.5 billion budget for you to celebrate Kenya's 50th anniversary.
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relieving your committee of its duties, the particular Head involving State stated the members did not element in Kenya's existing economic state.
"By suggesting this kind of astronomical expenditure on celebrations, the actual committee will be clearly out-of-touch with the economic mood throughout government," State Residence spokesman Manoah Esipisu mentioned inside a statement.
The President said that his government desires prudence practised inside the management of financial resources. He said the particular committee erred.
A new committee being run coming from State Home will take more than the actual planning of the celebrations which will culminate with the Jamhuri Day celebration about December 12.
"It will have strong representation from your Ministry associated with Sports, Culture as well as Arts, which features expertise within this area, and will contain additional stakeholders such as the private sector," the actual statement said.
Reports that will the federal government had prepared any Sh2.5 billion spending budget for that celebration attracted public outcry with citizens accusing the State involving getting insensitive with their plight.
The reports indicated that the budget includes Sh690 million regarding events management and also logistics, Sh286 million with regard to conference as well as exhibition through the one-week celebration, Sh300 million for publicity and also communication, Sh365 million with regard to entertainment as well as Sh320 million regarding identifying Kenya's most prominent personalities.
It consists of Sh50 million for erecting the bronze statue of retired President Mwai Kibaki hoisting aloft any copy in the constitution during its promulgation on August 27, 2010.
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LAPD called to the Grove after fans storm One Direction screening

Liam Payne, left, Louis Tomlinson, Zayn Malik, Harry Styles and Niall Horan perform at a concert featured in "One Direction: This Is Us." (Sony Pictures)
August 3, 2013, 3:22 p.m.
"This Is Us," the upcoming One Direction documentary, follows the boy band on a world tour as they incite millions of teenage girls into frenzy.
So perhaps it shouldn't come as a surprise that an advance screening of the film, held at the Grove's Pacific Theatres on Saturday morning, created pandemonium at the outdoor shopping mall.
Things began calmly enough. Fans who had obtained free tickets on gofobo.com lined up outside TopShop. The event was first-come, first-serve, but even with hundreds in line, most remained hopeful they would get in. The first 100 patrons -- some of whom said they had arrived at 3:45 a.m. -- were admitted to the theater and surrendered their cellphones to theater staffers and submitted to brief security checks. 
PHOTOS: Summer Sneaks 2013
The screening was set to begin at 10 a.m., but 15 minutes after that time, there were still empty seats in the auditorium. That's when a frenzied usher began yelling at the audience to stay calm, alerting everyone that fans outside were rushing the theater. He said the police had been called, and requested any staffers go outside to help him deal. Sports betting is an exercise of predicting sports activities effects by building a wager on the end result of a sporting occasion. Maybe far more than other types of gambling, the legality and standard acceptance of these sports activities betting varies from country to nation. The pioneer in gambling of all varieties, specifically horses, greyhounds and sports activities has been the United kingdom. Nevertheless, because 2002 is staying carried out all the expansion of virtual betting houses, focusing on sports betting, which is coming to all European and American countries. A sample of this growth can be observed in the detail of that sports betting is the recent sponsor of Genuine Madrid.

The on the web bookmakers give us a quite big quantity of prospects in all kinds of sporting occasions. We can locate distinct varieties of bets: single, mixed, brief-term, live or reside, long-phrase, among some others.

with the masses.
Still, it was unclear how serious the threat was. Many in the crowd began laughing. Was this some sort of prank? Were Niall Horan, Zayn Malik, Liam Payne, Louis Tomlinson and Harry Styles actually about to surprise the audience? (Sadly, no.)
Shortly after the usher's warning, a trailer for "The Mortal Instruments: City of Bones" began to roll and the crowd settled into their seats. Meanwhile, chaos was unfolding just outside the theater doors.
Just as Lizette Van Patten, her 13-year-old daughter and a 14-year-old friend were about to enter the theater, hundreds of mostly young female fans who had been turned away burst through the theater entrance.
“They charged and went straight past the ticket takers for the doors of the actual theater screaming, ‘Let us in! Let us in!’” recalled the 40-year-old San Pedro resident. “It took about a half an hour before a police car came with two policemen in it. They started palming kids down and shoving them outside.”
PHOTOS: Celebrities by The Times

A Los Angeles Police Department spokesman did not immediately return a request for comment.

Allysa Mae De Guzman, 16, was part of the mob. She said that when she and her friends were told they wouldn’t be able to see the movie, they all began running toward the theater anyway.
“When I got inside, the red ropes that block the entrance to the theater were on the floor,” she said. “It was pretty scary because people were tripping on the floor and pushing and stuff like that.”
Van Patten said her daughter was so upset she didn’t get to see the movie that she left the Grove with mascara streaks running down her face.
“I’ve been to plenty of premieres and have seen people go crazy over Johnny Depp and Tom Cruise,” she said. “But nothing like this. Now I’m really convinced that One Direction is like the Beatles of this generation.”

ALSO:
One Direction 'skis' and 'surfs' in goofy 'Kiss You' video

5 things we learned from One Direction's 'Best Song Ever' video

One Direction's 'Best Song Ever' video: 22 million views comaprador de apuestas in two days

amy.kaufman@latimes.com

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Copyright © 2013, Los Angeles Times
Self esteem can prevent girls like this from losing control. 
Apparently these dumb giurls don't realize these dudes are gay. 
Er, is this one of those "bands" concocted by some cigar-chomping fatty in Florida? Do they play instruments? Have they been appearing in small clubs for several years, developing their musicianship, their act?? Do they write their own songs? Just askin'.
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Be the first on your street to see the show.
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LAPD called to the Grove after fans storm One Direction screening

Liam Payne, left, Louis Tomlinson, Zayn Malik, Harry Styles and Niall Horan perform at a concert featured in "One Direction: This Is Us." (Sony Pictures)
August 3, 2013, 3:22 p.m.
"This Is Us," the upcoming One Direction documentary, follows the boy band on a world tour as they incite millions of teenage girls into frenzy.
So perhaps it shouldn't come as a surprise that an advance screening of the film, held at the Grove's Pacific Theatres on Saturday morning, created pandemonium at the outdoor shopping mall.
Things began calmly enough. Fans who had obtained free tickets on gofobo.com lined up outside TopShop. The event was first-come, first-serve, but even with hundreds in line, most remained hopeful they would get in. The first 100 patrons -- some of whom said they had arrived at 3:45 a.m. -- were admitted to the theater and surrendered their cellphones to theater staffers and submitted to brief security checks. 
PHOTOS: Summer Sneaks 2013
The screening was set to begin at 10 a.m., but 15 minutes after that time, there were still empty seats in the auditorium. That's when a frenzied usher began yelling at the audience to stay calm, alerting everyone that fans outside were rushing the theater. He said the police had been called, and requested any staffers go outside to help him deal with the masses.
Still, it was unclear how serious the threat was. Many in the crowd began laughing. Was this some sort of prank? Were Niall Horan, Zayn Malik, Liam Payne, Louis Tomlinson and Harry Styles actually about to surprise the audience? (Sadly, no.)
Shortly after the usher's warning, a trailer for "The Mortal Instruments: City of Bones" began to roll and the crowd settled into their seats. Meanwhile, chaos was unfolding just ver futbol en vivo outside the theater doors.
Just as Lizette Van Patten, her 13-year-old daughter and a 14-year-old friend were about to enter the theater, hundreds of mostly young female fans who had been turned away burst through the theater entrance.
“They charged and went straight past the ticket takers for the doors of the actual theater screaming, ‘Let us in! Let us in!’” recalled the 40-year-old San Pedro resident. “It took about a half an hour before a police car came with two policemen in it. They started palming kids down and shoving them outside.”
PHOTOS: Celebrities by The Times

A Los Angeles Police Department spokesman did not immediately return a request for comment.

Allysa Mae De Guzman, 16, was part of the mob. She said that when she and her friends were told they wouldn’t be able to see the movie, they all began running toward the theater anyway.
“When I got inside, the red ropes that block the entrance to the theater were on the floor,” she said. “It was pretty scary because people were tripping on the floor and pushing and stuff like that.”
Van Patten said her daughter was so upset she didn’t get to see the movie that she left the Grove with mascara casas de apuestas streaks running down her face.
“I’ve been to plenty of premieres and have seen people go crazy over Johnny Depp and Tom Cruise,” she said. “But nothing like this. Now I’m really convinced that One Direction is like the Beatles of this generation.”

ALSO:
One Direction 'skis' and 'surfs' in goofy 'Kiss You' video

5 things we learned from One Direction's 'Best Song Ever' video

One Direction's 'Best Song Ever' video: 22 million views in two days

amy.kaufman@latimes.com

PHOTOS AND MORE

VIDEO: Upcoming summer films

VIDEO: Upcoming summer films

The Envelope

ENVELOPE: The latest awards buzz

NC-17 movies

PHOTOS: Greatest box office flops


Copyright © 2013, Los Angeles Times
Self esteem can prevent girls like this from losing control. 
Apparently these dumb giurls don't realize these dudes are gay. 
Er, is this one of those "bands" concocted by some cigar-chomping fatty in Florida? Do they play instruments? Have they been appearing in small clubs for several years, developing their musicianship, their act?? Do they write their own songs? Just askin'.
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Be the first on your street to see the show.
Share your summer travel photos. We'll publish the best in print and online. 2012 highlights



Edward Sharpe and the Magnetic Zeros make honest music

Alex Ebert is the leader of the band Edward Sharpe and the Magnetic Zeros. (Ricardo DeAratanha / Los Angeles Times / August 3, 2013)
August 3, 2013, 6:30 a.m.
The members of Edward Sharpe and the Magnetic Zeros think pop music might be headed into a new phase, one in which the calculated cynicism and ironic detachment prevalent in recent years starts giving way to good old-fashioned sincerity.
Honestly.
"The term 'post-ironic' has been thrown around, and I may or may not have helped to have a hand in inventing it," said the band's singer and chief songwriter, Alex Ebert, who did invent the alter ego of Edward Sharpe as the namesake for the band he and several friends started in Los Angeles six years ago after his stint in Ima Robot.
TIMELINE: Summer's must see concerts
"The interesting thing is that if you come right out as [B.S.], no one questions you doing [B.S.]," Ebert, 35, said. "No one says Lady Gaga's not for real, because she's obviously not for real. No one's going to attack the veracity of Lady Gaga today, or anyone really....
"But if you try and approach something with a post-ironic or post-sarcastic sense, with a sense.

The sports betting techniques are scenarios employed by gamblers, which is a mixture of psychological, motivational, biological, and so on. earlier performances. An instance of a technique making use of situational and biological components is to bet on the reduced divisions and think about the distance in kilometers amongst two teams enjoying, considering lengthy trips tend to be dangerous to these reduced division teams. Other methods seek effective use of offered statistics, in buy to improve revenue. The value method compares probabilities (percentages) of the benefits with the recent odds a bookmaker. Decimal probability can be only converted into percentage by dividing one by the probability (for illustration, 1 / one.5 = .666 => 67%). For example, if a get together Zaragoza - Celtic has a probability of 74%, the charge is one.75 for Zaragoza (1: 1.75 = .571 => 57%), this offers a difference of 74% - 57% = 17%. This 17% lse comes into play in accordance to the Kelly method: spending budget multiplied by 1/10 of the estimated values ​​(in this situation 17%, ie, .17) divided by the odds minus 1 (ie in this situation from 1.75 to 1 = .75).

of earnestness, suddenly you have to be vetted and picked apart. Whereas if you presented yourself dishonestly, sarcastically or ironically, it's all good; no one's going to question who you are. It's a very interesting, highly ironic situation."
Irony and sarcasm are in short supply on the group's third album, "Edward Sharpe and the Magnetic Zeros," which came out July 23. Instead, Ebert and the nearly dozen other members of this hard-to-categorize collective pour themselves into unapologetic expressions of love, peace, the quest for transcendent experience and other remnants of the hippie era.
Those are topics the group has been flirting with since its 2009 debut album, "Up From Below," with its hit "Home," and, especially, the 2012 sophomore effort "Here." Those albums established the band as one of the leading lights of a new, uplifting strain of indie rock, which the Zeros inject with punchy horn parts, soaring vocal choruses and clashing percussion effects often adorned in a Phil Spector-esque wall of sound.
PHOTOS: Concerts by The Times
England's breakthrough roots band Mumford & Sons signed the Magnetic Zeros to the group's fledgling Community Music/Vagrant Records label and led to Mumford inviting Sharpe out as its opening act on recent dates in Europe, with more ahead on Mumford's U.S. tour later this year.
Singer Jade Castrinos, who got the ball rolling on the Magnetic Zeros when she and Ebert met in 2007 at Little Pedro's restaurant in downtown L.A., says there's enough music to make people feel lousy. "I don't really want to do that. I guess we're doing our thing. Like Mumford & Sons — being at their concerts and getting to play with them, that's so amazing. It makes me cry when I watch them and see 65,000 people singing a song together."
On its own, Edward Sharpe and the Magnetic Zeros will headline a homecoming show Sunday at the Hollywood Bowl, something the band members also view with almost giddy anticipation.
Joyful sentiments abound on the new album, gaining power by working in tandem with expressions of genuine anguish and despair. It's with utter sincerity that Ebert wrote and sings songs such as "Life Is Hard," "Better Days" and "If I Were Free" this time around.
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"The main thing I'm grappling with," the L.A. native said between sessions tinkering with mixes of several tracks at a Hollywood recording studio, "is sort of impulse versus reflection."
The latter quality comes across in the long pauses Ebert takes between statements, creating the impression of an exceptionally thoughtful man who constantly searches feelings in the moment on a given topic or question.
"What I mean by that is: Do I follow my present instinct to want to reach an ecstatic state — despite the fact that that current drive may drive the song right off the cliff and distort it?
"Or do I pull back and think about it from a calmer, timeless perspective: What will I enjoy more when I have wearier ears and I'm relaxing at home and I'm hanging out with my grandkids?" said the man who grew up in the San Fernando Valley and had his passion for communal music-making ignited by an elementary school music teacher from South Africa.
"It's an interesting dilemma," he said.
As the new album was shaping up, "let's go for it" seemed to be winning out. Its predecessor, "Here," was a more measured mix of ethereally beautiful explorations into transcendence, and while "Edward Sharpe and the Magnetic Zeros" also strives for a higher experience, it's one that hews closer to the vitality of the band's electrifying live performances.
RELATED: Best albums of 2013 so far | Randall Roberts
In a sense, it's the old tug between the spiritual and the temporal that artists have grappled with through the ages. Ebert engages in that tussle in the indie-rock arena with a musical attitude that also splits the difference between the boundaries of pop song structure that he greatly admires and the freedom of an expository jam-band mind-set.
It also surfaces in Ebert's invention of the Edward Sharpe alter ego, whom he has described as "a messianic figure sent down to Earth to kinda heal and save mankind but who kept getting distracted by girls and falling in love." Ebert himself reinforces the persona of a messianic figure with his wildly unkempt hair and beard, and a penchant for ditching his shoes and working barefoot in the studio.
He comes across more pixieishly playful than ominously intense, but in the recording of "They Were Wrong," Ebert opted for a deep, Johnny Cash/Leonard Cohen-like voice to express his yearning to clutch tightly to hope even in the face of sickness, pain or death.
He and his bandmates have mustered the audacity in the post-authentic age to sing, in the new album's song "Peace": "Joy, joy is the giving, give to everybody, joy, joy."
PHOTOS: Iconic rock guitars and their owners
Such unmodulated emotion does leave Ebert and his bandmates open to criticism from those who still live in the post-authentic world.
"In particular there was a review of the first album that came out way after the album was released," Ebert said. "It didn't review the album really, it only reviewed me, saying, 'He was in Ima Robot and now he's doing this and it's [B.S.].'"
Magnetic Zeros guitarist Christian Letts wants nothing to do with that attitude.
"I've been in other bands where you don't smile because it's not cool," he said. "I think these [positive] emotions are really contagious. I see what happens at our shows — people are smiling, they're having a good time; other people are crying, and it makes you feel like what you're doing really matters. It's beautifully contagious, it spreads fast through the room. I'd like to see it spread as big as it can. It's great to spread that message."
randy.lewis@latimes.com
Twitter: @RandyLewis2
-----------------------------
Edward Sharpe and the Magnetic Zeros
Where: Hollywood Bowl, 2301 N. Highland Ave., Los Angeles
When: 7 p.m. Sun.
Cost: $21.50 to $54.50
Information: http://www.ticketmaster.com or (323) 850-2000

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The name of the song from the new album is "Please!", not "Peace".
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From Cobain to KISS: Remembering the Forum


August 2, 2013, 4:46 p.m.
Share your memories, see archival reviews and revisit the Forum's glory days.
Kurt Cobain of the rock band Nirvana in concert at the Forum in Inglewood, Calif., Dec. 30, 1993. (Larry Davis / Los Angeles Times ) More photos
August 2, 2013
As part of The Times' coverage on plans for the Forum's comeback as a concert venue, we asked readers to contribute memories of their experiences at the storied Inglewood building. Check out some of what they've written -- lightly edited for length and clarity -- plus concert photos and reviews by The Times. And add your own memories here, and see even more archival Forum reviews here.

I remember seeing Nirvana there with Chokebore as the opener. I will never forget it! It was my first big arena-style show and I was blown away with how big everything seemed to be. Now I work in the industry, but that was where I got the taste to do lighting for big shows.
— Mike Davidson, Santa Barbara
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I saw my first concert at the Forum, Neil Young, 1972 or '73. I was 14 or 15, living in Glendale; went with my best friend and another friend who was old enough to drive. It was Neil Young, a guitar, a harmonica, and a piano. That's it. He was incredible, audience captivated. Sounds cliche, but during the quiet parts, you could have heard a pin drop in that huge arena. I was only a kid, but I'd been listening to underground radio since I was 12; I knew it was something special.
— Anna Brooks, Santa Cruz


Read the review: 'Young returns, enigmatically' By Robert Hilburn Photo: Neil Young in concert at the Inglewood Forum October 24, 1978. (Dave Gatley / Los Angeles Times)

I saw Neil Young and Crazy Horse at the Forum in the late 1970s. Loudest band I ever heard, the acoustics in that cavern were horrendous. Bad reverberation is always a hallmark of rock music in an arena like the Forum. See your favorite band at Gibson Universal, the Greek, or Hollywood Bowl instead.
— Richard Hubbard, Orange

My brother and I grew up going to concerts and, of course, the Lakers at the Forum. Sometimes we would sneak in through the bottom entrance with the touring buses and limos. The list included Earth, Wind & Fire, Sly & the Family Stone, and Parliament Funkadelic. The thing we always talk about and remember the most is, when the lights went off, the "aroma" would immediately change inside. Being two little young guys, that confused us at the time. The sound inside was incomparable!
— David Johnson, Los Angeles


Read the review: 'Room at the top for E.W.F.' By Dennis Hunt Photo: Earth Wind & Fire in concert at the Forum in December 1981. (Tony Barnard / Los Angeles Times)

I saw ZZ Top in the late 1980s at the Forum. We sat in the nosebleed seats on the edge of the building and ZZ Top looked like ants. It could have been anybody down their since we could not see them and the acoustics were dreadful.
— Jeff McKinley, Perris, Calif.


My first concert, August 1977 (don't remember the exact date), KISS and Cheap Trick. I was 9 years old and went with my brother, my parents, my cousin and his wife, and my best friend and his mom. We had dinner at the Sizzler across the street before the concert. I think my friend and my brother and I were the only kids not in makeup. (My parents were cool enough to take us to the concert but not cool enough to let us wear makeup. Still trying to figure that one out!) We were on the floor about halfway back from the stage. When the live album came out later we looked at the crowd shot on the back to see if we were in it. No such luck.
— Jeff, San Francisco


Read the review:'Kiss to build a dream on' By Robert Hilburn. Photo: Gene Simmons performs at the Forum in 1977. (Los Angeles Times)

Summer of 1986, the impotent new version of Van Halen stumbled onto the Forum stage. By-the-numbers Sammy Hagar and Eddie VH with his new haircut and sappy keyboard hooks absolutely disappointed my 19-year-old, guitar-obsessed self. To the rescue later that year was (then) former Van Halen frontman David Lee Roth with arguably one of the greatest rock and roll bands ever assembled. It was loud, over-the-top and [freaking] fabulous! I witnessed Steve Vai stealing the guitar throne from Eddie Van Halen that night.
— Hoops McCann, Covina


Neil Diamond in the '90s. But with the loss of the Universal Amphitheatre, there is definitely a place for the Forum. Welcome back!
— Larry Weisberg, Pasadena


In '76 or '77 saw Rod Stewart there on his "Blondes Have More Fun" tour. My La Canada high school sweetheart and I had a blast. A lot of non-blonds showed up sporting blond wigs, or dyed their hair blond. Mine was already almost white blond, since I surfed everyday. The music was good too. Rod was awesome. Sounded as good on stage as he did on his albums.
— Mike Coleman, Monterey


Read the review: 'Fans jam Forum for Elvis' By Robert Hilburn Photo: Elvis Presley in concert at the Forum in Inglewood on Nov. 14, 1970. (Harry Chase / Los Angeles Times)

Black Sabbath with Ozzy [Osbourne] and Grand Funk Railroad, February 1971. Black Sabbath opened and were amazing, but then Grand Funk came out and, surprisingly, blew them off the stage. I didn't have my own car then, and I recall that five of us squeezed into a friend's red Subaru 360, and slowly made our way up the 405 from Huntington Beach. We took the wrong exit and got lost in Inglewood or Lennox (not sure because we were lost). I remember the strange looks we received from those we asked for directions. After the show, I got separated from my group, including the girl I had asked to go with me. I ended up hitchhiking back to HB and got home about 2 a.m. All in all a great evening, with the exception of getting separated from my date.
— John Lai, Camarillo


I saw Diana Ross, when she introduced the Jackson Five! Who knew those five boys would make entertainment history. We couldn't find our car afterward, for more than an hour, and finally we realized that it was parked in the lot across the street! I also have enjoyed Kurt Carr and Israel [Houghton]. Bootsy Collins' concert was the best and most extraordinary, back in the day. I was so proud to be the "big sister," and I took my younger brother to that concert. I'll never forget how they used a big screen and a toilet flushing as part of the opening. It was incredible.
— Lynne Thomas-Perkins, Victorville


Prince, 1985, Purple Rain tour with Sheila E. Amazing! It was my first concert, and I've never forgotten it, even though we were in the nosebleed section. I still have the ticket stub somewhere (or at least a scan image of it). Someone offered to buy it even though it's falling apart.
— Jorge Hernanadez, New York, N.Y.


Read the review: 'For Prince concert, it's a reign of rock' By Richard Cromelin Photo: Prince performs at the Forum on March 29, 1983. (Lori Shepler / Los Angeles Times)

I lived on Manchester, so you could say my beloved Forum was my home away from home. I remember almost getting hit by soccer balls that were kicked from the stage by Rod Stewart & the Faces at the end of their performance. I still have the rose petals tossed by the hands of Jagger that I caught when I sat in the front row. I remember hanging out with the Aerosmith groupies behind the Forum at that sold-out show, hoping I could get in under cover of groupies, but I got spotted by the roadies at the last minute. I saw the very first so-called "supergroup," Blind Faith, at the Forum. I remember a friend and I begging a roadie at the Doors concert for an empty Coors beer can that Jim Morrison had drank from. He wouldn't give it to us.
— Steve Toth, San Diego


Saw Springsteen and other legends, but stopped going to the Forum because of the inadequate women's facilities. The renovation MUST include upgrading of women's facilities to even have a remote chance of wooing me back. Heck, the Forum was so bad a group of us gals got so desperate we stormed one of the men's restrooms for relief, had a whole lookout system and routine going at one point with our boyfriends and hubbies so we all wouldn't miss so much of the show. Funny how I remember that more than who we saw there.
— Kathleen Clark, Pasadena

Read the review: 'Springsteen, the class of the field' By Robert Hilburn Photo: Bruce Springsteen drops to the floor during his July 5, 1978 concert at the Forum. (George Rose / Los Angeles Times)


Read the review: 'Springsteen, the class of the field' By Robert Hilburn Photo: Bruce Springsteen drops to the floor during his July 5, 1978 concert at the Forum. (George Rose / Los Angeles Times)

Van Halen, the Scorpions, Motley Crue, Bon Jovi -- all the best '80s metal played the Forum.
— Rick Bredlau, Houston, Texas


First concert I went to at the Forum was Cream in 1968 -- we got what we thought were good tickets (I think they were $6), but the seats ended up being on the opposite side of the Forum and the band felt very far away. Still an awesome concert. My favorite all-time concert anywhere was Jimi Hendrix in 1970. This time we got seats pretty close up and being able to watch and hear Hendrix and his band play their hearts out is sealed in my memory forever.
— Michael Brown, Santa Barbara


Bob Dylan and The Band, February 1974. The last show of the tour. We had ninth-row seats thanks to my friend's brother. No yellow-jacketed security or barriers back then, so I was right against the stage, with Dylan standing above me singing "Like a Rolling Stone." Every time he sang the chorus, the house lights went on, and I saw 18,000 people singing along. Unforgettable.
— Paul Liebeskind, Tarzana


Read the review: 'Dylan saves the best for last' By Robert Hilburn Photo: Bob Dylan performs at the Forum on Feb. 2, 1974. (Marianna Diamos / Los Angeles times)

I love the Forum. Jethro Tull, Dylan & the Band, New Barbarians, Elton John, Bob Seeger, Wings and more. The most memorable was Springsteen & E Street in '78 for the "Darkness" tour. Opening with "Spirit in the Night," Bruce climbed up to the top level while singing. He was surrounded by fans and when security tried to pull them off, the Boss said, "It's cool, man. These are my friends." He turned that place into a small club and rocked for hours.
— Rob Lawson, Glendale


I saw the Rolling Stones play there March 6, 2006, long after Staples was open. I particularly remember it because I had seats very close to the stage, and because the opening act, Queens of the Stone Age, was a piece of crap in my opinion.
— Ben Kalb


Read the review: 'The Rolling Stones rock for charity' By Robert Hilburn, Jan. 20, 1973 Photo: Mick Jagger of the Rolling.

The charge is a tracer of the prospective revenue to a bet. There are various kinds of charges:


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Stones performs at the Forum during a July 11, 1975 concert. (Los Angeles Times)

The first concert I ever saw was at the Forum -- the Eagles Greatest Hits Tour. I was in junior high then and returned several times for many other concerts when I was in high school, including the Eagles' "Hotel California" tour. It is so meaningful to me, knowing that the Eagles will be re-opening the newly renovated Forum. Bravo!
— Yvonne Carlson Bell, Pasadena


Went with a few college friends to an Eagles concert in the spring of 1980. Roy Orbison was one of the opening acts. I guess he was making a comeback, as many of us weren't familiar with him at that time. His performance was stunningly good. What a fabulous voice. The Eagles put on a great show but Roy Orbison alone was worth the price of the ticket.
— Andrew Robbins, La Jolla


Read the review: 'Best of Eagles at the Forum' By Robert Hilburn Photo: Glenn Frey performs with the Eagles at the Forum, March 1980. (Gary Friedman / Los Angeles Times)

It's fitting that the Eagles will be the first band to play at the new Forum. They were the first band I saw there back during "Hotel California." I saw many more great shows over the years, including Queen, Led Zeppelin, Aerosmith, Yes, Genesis and the Who. After making that list, it's like a best of the 1970s arena rock.
— Mike Lew Lamar, Felton, Calif.


I saw Depeche Mode perform at the Forum in 1986. Black was the primary fashion choice for concert attendees. The performance was electric ... literally, and all left satisfied. I went with my boyfriend Steve. He was more the Michael McDonald type, but he embraced the experience and we were better for it. Later I had to go hear Patti LaBelle at the Hollywood Bowl for him. The things we do for love!
— Chris Becker, Los Angeles


As high schoolers, my friend and I drove from Taft to see Jimi Hendrix in 1969. A band we'd never heard of called the Chicago Transit Authority opened. Great show, Jimi was at his best. Upon leaving the show, we realized we had no idea where we parked. So we waited for about an hour and a half while the lot cleared and there were only a few cars left, one of them ours!
Bob Beyn, Sacramento

Read the review: 'Zeppelin vies for rock legacy' By Robert Hilburn Photo: Guitarist Jimmy Page of the rock band Led Zeppelin performs at the Forum, June 26, 1977. (Michael Ochs Archives / Getty Images)

May 16-17, 1995. Jimmy Page and Robert Plant. I remember when “Song Remains the Same” came on, I jumped out of my chair, ripped off my shirt, sang and danced along. Don’t know why -- it just made me do it.
— Brian Murphy, San Diego


2/10/75 Jethro Tull, The Forum, Inglewood, CA: My little league baseball coach was a huge rock music fan. From our conversations, he knew that I was really curious about live music, yet hadn’t experienced it yet. Coach became my rock 'n' roll mentor by taking me to my first concert. Our seats were on the floor in the 30th row; close enough to see the stage antics of Ian Anderson, the strangely attired singer. His outfit looked medieval, complete with codpiece. Ian performed outrageously, and played his flute as a lead instrument, rather than background. For reasons unknown to me then, and even now, he stood on one leg quite a bit. But regardless of his theatrics, the band behind him rocked hard. Coach discreetly smoked something, and it didn’t smell like tobacco. In fact, it didn’t smell like much at all. He didn’t pass any my way, but I didn’t mind. The whole sound and vision package was enough.
— Milo Perichitch, Los Angeles


I remember seeing MC Hammer and TLC at the Forum. Hammer had like 263 fog machines, but it was awesome.
— Karim Akbar, Los Angeles


Read the review: 'Smells like rock classics' By Robert Hilburn Photo: Kurt Cobain of the rock band Nirvana in concert at the Forum in Inglewood, Calif., Dec. 30, 1993. (Larry Davis / Los Angeles Times)

I think my favorite Forum concert had to be Paul McCartney, back in '89, when he and Linda toured again for the first time since "Wings Over America." We were about halfway back in the loge seats, and I remember the blast of heat from the flashpots during "Live and Let Die." It was also the concert tour when Paul chose to return to his Beatles roots and do a lot of the songs that I only got to see on "The Ed Sullivan Show." Great night.
— Beth Rayburn, Fullerton


I saw U2 play at the Forum on the "Joshua Tree" tour. Our seats were off to the side and behind the stage, but they were only a few rows back. But the Forum has always been somewhat "in the round" and Bono came over to the back of the stage to show those fans some love. And there he was just 10 feet away, Bono signing "Sunday Bloody Sunday" on the original "Joshua Tree" tour. I was 18 and it was just an unforgettable moment.
— Christopher Jones, Los Angeles


The Eagles will kick off the Forum's fresh look in January in a multimillion-dollar effort to entice music acts to Inglewood.
A multimillion-dollar revitalization of the Forum in Inglewood includes restoring the building's Roman-inspired columns and repainting the metal panels "California sunset red."
It’s entirely possible that the Forum arena in Inglewood narrowly escaped the wrecking ball only because of a segment on CBS’ newsmagazine "60 Minutes."
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Copyright © 2013, Los Angeles Times
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Los Angeles' EDM explosion powers its move toward dance dominance

Fans at the 2012 Hard Summer music festival in apuestas deportivas front of the stage during Nero's performance. (Lawrence K. Ho / Los Angeles Times / August 4, 2012)
August 2, 2013, 6:00 a.m.
It's arguably never been a better time to be a dance music fan — or in the dance music business — in Los Angeles than right now.
The annual Hard Summer festival this weekend will draw an estimated 70,000 electronic music fans over two days to L.A. State Historic Park in Chinatown, with major acts such as Justice, Dog Blood and Knife Party. Alongside it, the city is experiencing a surge in new, EDM-focused nightclubs. At least six major venues have opened or revamped in the Hollywood and downtown areas in the last two years, including the 1,700-capacity Exchange L.A. along with Create, Sound, Lure, Greystone Manor and A.V.
They join a field of established clubs like Avalon, smaller dance-focused bars like Pattern Bar and roving parties like A Club Called Rhonda, and a galaxy of semi-legal warehouse parties along downtown's fringes. In addition, L.A. arenas and festivals such as Coachella are increasingly finding that dance acts are filling their floors, and in the last year Live Nation has invested in or acquired L.A.'s two largest independent dance promoters, Hard Events and Insomniac.
Rarely has so much seed money, talent, and interest coalesced around a single genre the way that Southern California has embraced electronic dance music in the past few years. In both sheer numbers and quality, L.A. is finally equaling U.S. cities like New York and Miami, and it has the momentum to eventually become a world-class dance music tourism city.
PHOTOS: Hard Summer music festival 2012
"L.A. has such huge potential as a destination for dance music," said Rob Vinokur, co-owner of Sound (which made Rolling Stone's list of America's 10 apuestas online best dance clubs) and nearby venue Playhouse. "I've lived in every major cosmopolitan city in the U.S., and we almost have it here."
But not far away in Las Vegas there's also talk of a dance music bubble bursting, after the $100-million club Hakkasan and Cirque du Soleil's EDM venue Light entered into an already crowded and expensive field. L.A. also faces particular transportation and regulation challenges in growing its night life scenes.
At this juncture, it's worth asking — what's the right path to a sustainable dance music infrastructure in L.A.?
"I always believe that the cream rises," said Gary Richards, CEO of the promotion firm Hard Events and a DJ who performs as Destructo. "Last year we almost doubled, and we could have sold 10,000 more tickets to this year's Hard Summer if we'd wanted to. But there are too many people just milking this stuff. My interest is just in making everything work better."
PHOTOS: Hard Summer music festival 2011
The world's great dance music cities all share certain traits. There's a mix of must-see nightclubs (like Berlin's Berghain or London's Fabric) and marquee festivals (Miami's Ultra Music Festival.

The sports betting techniques are situations utilised by gamblers, which is a mixture of psychological, motivational, biological, and so on. previous performances. An instance of a tactic employing situational and biological variables is to bet on the reduced divisions and think about the distance in kilometers amongst two teams enjoying, taking into consideration prolonged trips tend to be hazardous to these reduced division teams. Other strategies seek productive use of readily available statistics, in order to boost profits. The worth approach compares probabilities (percentages) of the results with the current odds a bookmaker. Decimal probability can be basically converted into percentage by dividing a single by the probability (for illustration, 1 / 1.five = .666 => 67%). For illustration, if a get together Zaragoza - Celtic has a probability of 74%, the charge is one.75 for Zaragoza (one: one.75 = .571 => 57%), this gives a big difference of 74% - 57% = 17%. This 17% lse comes into perform according to the Kelly strategy: price range multiplied by one/ten of the estimated values ​​(in this case 17%, ie, .17) divided by the odds minus 1 (ie in this situation from one.75 to 1 = .75).

or Electric Daisy Carnival in Las Vegas) that set a global agenda and draw hundreds of thousands of fans.
Hard Summer is rapidly becoming L.A.'s standard-bearer for the latter. After the departure of L.A.-based Insomniac's Electric Daisy Carnival to Las Vegas (after a teenager's overdose death in 2010), Richards' firm has grown to host the dominant dance music festival in L.A. His stable includes events such as Hard Summer, Hard Day of the Dead (a smaller festival held in the fall) and the EDM cruise Holy Ship, alongside a variety of club-level events across America.
Hard festivals have helped launch big new stars like Skrillex, and the firm earned a major endorsement when Live Nation acquired Hard Events in 2012 (terms of the deal have not been disclosed). Seven years after Hard Events' founding, this year's fest is the biggest installment yet.
"The key is the music, you have to be diverse and pick new things," Richards said. "Any promoter can just go book the DJ Magazine top 100 acts. People are tired of seeing all that same stuff."
PHOTOS: Concerts by The Times
Local festival-sized competitors, like comaprador de apuestas the long-running Lightning in a Bottle, are improving to compete. And a new L.A. edition of the dance-focused conference International Music Summit, held in April at Hollywood's W hotel with speakers like Ultra Records' Patrick Moxey and Shelly Finkel from promoter SFX Entertainment, offers a forum to debate the genre's business issues.
The economic effects of such festivals are real. 2012's Electric Daisy Carnival brought more than $200 million into the Las Vegas area, according to a Beacon Economics study. This year's two-week Ultra Music Festival brought an estimated $79-million worth of economic activity to Miami-Dade County — an area with one-third the population of Los Angeles County.
But to truly take on other cities for money and influence, there needs to be a year-round EDM club ecosystem that falls outside the summer festival season..
L.A. has rapidly caught up in the last two years. New clubs like Insomniac's Exchange L.A., Create (Insomniac's venture with hospitality conglomerate SBE) and SBE's Greystone Manor routinely sell out bills with the genre's top artists. Stalwarts such as Hollywood's Avalon and well-appointed upstarts like Sound and Lure keep a heady mix of mainstream fare and more adventurous artists.
 
Copyright © 2013, Los Angeles Times
In other words corporations are now milking the money to be made off kids on drugs. Like all trendy things this will die fairly quickly.
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G-Dragon rep says blackface photo is a 'huge misunderstanding'

A self-portrait of K-Pop star G-Dragon from Instagram. (G-Dragon / Instagram / July 31, 2013)
August 1, 2013, 3:37 p.m.
Earlier this week, the K-Pop superstar G-Dragon apuestas de futbol posted an image to his Instagram account that shocked many U.S. fans with its resemblance to a widely shared image of the Florida shooting victim Trayvon Martin.
Though the post didn't mention Martin by name, the photo's uncanny similarity to the Martin shot -- similar framing, a gray hood over his head and what appeared to be an ugly "blackface" makeup job -- prompted an uproar from fans and media who thought G-Dragon had made a very awkward sort of tribute in line with the "I Am Trayvon Martin" meme. Artists like Frank Ocean, The-Dream and Diddy had also recently posted similar photos of themselves online.
PHOTOS: Concerts by The Times
Now a rep for G-Dragon has told Spin, one of the first outlets to report on the resemblance, that the entire situation was a "HUGE misunderstanding" and that the image was a visual concept in line with the art for G-Dragon's upcoming album.
"The face paint is only a color variation for his album cover which includes black, white, and red," the rep told Spin. "It is in no way meant to be a political or racial statement." Nonetheless, the photo did spur a conversation about how African-Americans are represented in Korean pop culture.
G-Dragon is slated to appear in L.A. this month at the popular K-CON festival, a showcase of contemporary K-Pop culture. Perhaps this whole episode can be a lesson that any non-African Americans posting context-free photos of themselves in black face paint and hip-hop-inspired attire is probably not a wise move.
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K-pop enters American pop consciousness
 

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Copyright © 2013, Los Angeles Times
Whatever Augest Brown you really don't deserve this job you treat it and your wrtiting with no fact, respect or truth.
I'm glad this story was posted, it should be addressed that the Kpop community that borrows so much of its sound from the black music industry constantly mocks that same influential industry. I can't tell you how often I see blackface and mocking ebonic-like accents on Korean TV (which my family, being of Korean heritage watch every weekend)! Always there is someone mocking black people for laughs and Americans just look.

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He's not wearing a hoodie he pulled a shirt over his head.  His "hip hop attire" is a T shirt.  Now no one can wear a basic T shirt without getting approval from August Brown of the LA Times Music blog?
The "spur a conversation" link you provides is to another blog.  And the "conversation" consists of 2 posts, both of which are criticizing the slant of the article, nothing about "how African-Americans are represented in Korean pop culture."
How did you manage to mangle the takeaway from all this to be that people shouldn't wear hip hop clothing.  You didn't get any sort of inkling that maybe the lesson is BE A JOURNALIST? Is dropping an email to YG for comment that hard? It looks like you still haven't even bothered to look at the original photo since you continue to insist it's a hoodie.
the LA Times blog sourced its entry entirely from a SPIN online entry that based itself (down to the talking points and mistatements) from an entirely unsourced LIVEJOURNAL rant from a teenager.
August Brown, you're probably aces as a human being but when it comes to your job ur doin it rong man.
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Taylor Swift and Carly Simon duet on 'You're So Vain'

Carly Simon, left, joined Taylor Swift at Gillette apuestas de futbol Stadium in Foxborough, Mass., to sing Simon's hit "You're So Vain." (Theo Wargo / TAS / July 27, 2013)
August 1, 2013, 1:25 p.m.
Taylor Swift has built a career dropping hints to the identities of bad boyfriends in hit songs as an example ver futbol en vivo of the adage for the broken-hearted, “Don’t get mad — get even.”
Last weekend when Swift's “Red” tour reached Foxborough, Mass., she brought out Carly Simon, the woman who has kept listeners guessing for more than 40 years about the subject of her kiss-off song “You’re So Vain.”
“When I heard ‘You’re So Vain,’ I thought, that is the best song ever," Swift said. "That is the most direct way anyone has ever addressed a breakup.... Every girl out there will be thinking of someone when we’re singing.”
PHOTOS: Taylor Swift at the Staples Center
The two sang it together Saturday in front of some 55,000 fans at Gillette Stadium, one of two sold-out shows at the venue as part of Swift’s tour that reaches Southern California for shows at Staples Center on Aug. 19, 20, 23 and 24.
Here’s the video with excerpts from the “You’re So Vain” performance and interview footage of Swift.

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Taylor Swift makes a grown-up move on 'Red'
Carly Simon: Coming around again with 'This Kind of Love'
The Forum aims to rock rival Staples with major renovation
Twitter: @RandyLewis2 

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What a glorified karaoke act that Taylor Swift. 
Poor Carly....
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Oscars host Ellen DeGeneres may calm waters after Seth MacFarlane

Ellen DeGeneres hosted the 79th Academy Awards in 2007. (Al Seib, Los Angeles Times / February 25, 2007)
August 3, 2013, 6:00 a.m.
After Seth MacFarlane's polarizing performance as this year's Oscars host, producers are calling on a reassuring presence for the 2014 telecast, naming Ellen DeGeneres emcee of Hollywood's biggest night.
DeGeneres, a syndicated talk-show personality with a huge following, also hosted the Academy Awards in 2007. She's expected to bring a steadying hand to a telecast that faced heavy criticism in 2013. Though total viewership reached its highest point since 2010, MacFarlane drew a backlash from those who said that bits such as a parody song titled "We Saw Your Boobs" were offensive.
The selection of the openly gay DeGeneres will no doubt register as a sign of progress at a time when the Academy of Motion Picture Arts and Sciences is pushing for greater diversity. Earlier this week the group elected its first-ever African American board president, Cheryl Boone Isaacs. The deal for DeGeneres is believed to have come together quickly in recent days, though it is unclear how much Boone Isaacs was involved in the decision.
PHOTOS: Emmy Awards hosts through the years
DeGeneres broke the news Friday morning to her millions of Twitter followers. "It's official," she wrote. "I'm hosting the Oscars! I'd like to thank The Academy, my wife Portia and, oh dear, there goes the orchestra."
She later quipped in a release from the motion picture academy that "I am.

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so excited to be hosting the Oscars for the second time. You know what they say — the third time's the charm," echoing a joke she made in the 2007 telecast in which she told eight-time nominee Peter O'Toole that "third time's the charm."
ABC will telecast the Oscars on March 2 from the Dolby Theatre in Hollywood.
This year's Oscars producers, Craig Zadan and Neil Meron, who also oversaw the controversial 2013 show, praised DeGeneres' onscreen persona in a statement. "There are few stars today who have Ellen's gift for comedy with her great warmth and humanity."
PHOTOS: Ellen DeGeneres: Career in pictures
In 2007, DeGeneres also was brought in as a stabilizing presence after a provocative telecast the prior year by Jon Stewart. Her red-suited act gave the evening an informal feel — she took a page from her talk-show playbook as she wandered the aisles bantering with Martin Scorsese and Clint Eastwood. Television critic Tom Shales of the Washington Post called her turn "crisp and unpretentious."
But to some, DeGeneres failed to bring much edge or surprise. A Variety review called her a "bland guide" for the night's festivities. DeGeneres was lauded more strongly for her performance at the Emmys in 2001 shortly after the attacks of Sept. 11, with many praising her delicate handling of a difficult moment.
Like her reviews, DeGeneres' Oscar ratings were middle-of-the-road; with 39.9 million viewers, the 2007 Oscars rated exactly fifth in total viewers among the last 10 years. She was aided by the multiple wins for Scorsese's "The Departed," one of the bigger blockbusters to win best picture in recent years. Last year's MacFarlane-led telecast brought in 40.3 million viewers.
TIMELINE: Oscars, then and now
DeGeneres is likely to get a boost from a strong social-media presence that has developed since her last stint. With 21 million Twitter followers, she is among the most popular personalities on the site. She also has a highly watched channel on YouTube.
In choosing DeGeneres, the academy would also seem to have avoided the drama that ensued two years ago when it went with the unconventional choice of film producer Brett Ratner for its telecast and then Eddie Murphy as host. The move blew up when Ratner was forced to exit the show after insensitive comments in a radio interview. Murphy quickly followed suit, prompting new producer Brian Grazer to tap the veteran Billy Crystal.
Unlike some other recent hosts such as Anne Hathaway and James Franco, DeGeneres has not been a big-screen mainstay. But her voice does anchor "Finding Dory," the "Finding Nemo" sequel that ABC sister company Pixar will release in 2015.
For producers and network ABC, DeGeneres will also bring another key asset: a daily presence on television that will allow her to promote the show and welcome guests from Oscar-nominated films.
PHOTOS: 'The Ellen DeGeneres Show' through the years
"Pre-Oscar show publicity has become increasingly important and necessary in recent years as competition for viewers has escalated. A host's ability and willingness to participate in these opportunities is essential in that effort to boost ratings," said Tony Angellotti, a veteran publicity executive and member of the academy.
Though many in Hollywood say they believe the choice of DeGeneres is also a direct response to the criticism heaped upon last year's show, veteran Oscar producer and director Don Mischer disagrees.
"I really doubt that's the motivation," he said. "Having been in the producer's shoes many times, you are primarily looking for someone you have confidence in, someone that can roll with the punches, is quick on their feet, is likable and has a track record for live performance. She's done it all and has done it well. I doubt there was any other reason for choosing Ellen."
Still, brevity may not be on the agenda. At 3 hours and 51 minutes, the last DeGeneres-hosted Oscars was the longest of the last 13 years.
PHOTOS: Celebrities by The Times
Historically, return hosts have tended to do well. Billy Crystal added to his audience in each of the first five times he hosted, and Chevy Chase added 5% to his audience on his second go-round back in 1988. But most sophomore hosts who do well tend to take the stage in successive years. When Jon Stewart returned in 2008 after taking a year off (for DeGeneres), numbers plummeted by nearly 20%.
Mischer recalls that he was the first producer to hire DeGeneres for a live TV gig — co-host of the 1994 Emmys telecast. At the time it was a decision that was much criticized by his peers in the industry because the sitcom she was then headlining had only aired six times when producers approached her for the job. (She co-hosted the telecast with "Home Improvement's" Patricia Richardson.)
"I took a lot of flack from people in our industry. They said, 'Ellen has only had six shows in prime-time television and she gets to be the co-host?'" recalled Mischer. "Monday after the show, nobody asked me that question again. She was wonderful. She brought a spark and a light to it."
steve.zeitchik@latimes.com
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Copyright © 2013, Los Angeles Times
So, Bob Hope passed away?
Her wit is pure. Comedy should be natural like the old standbys, the look of Jack Benny or Carol Burnett or Lucille Ball. It doesn't have to be crass and disgusting like the last few hosts, a-hem! Ellen is a sweet comic. She doesn't effort or have to do the by lines or lose audience by not glorifying a punch line. She is what America is about. She has always had my vote!
Seth MacFarlane was creepy, unfunny, and extemely sexist, and should not have been hired in the first place.  Maybe the producers think that hiring Ellen will make up for the offensive juvenile display last year that revealed a lot about what today's movie honchos really think of women.  It won't.
At the bland suck-up fest that is the Oscars, the bland, faux-humble Ellen won't be the trainwreck she was on American Idol (who hired her to be a judge there in the first place?)  But Ellen isn't about female empowerment or comedic truth telling.  She's about Ellen, people who love Ellen, and celebrities who love Ellen. She is a gay activist, but not a feminist, based on her priorities and associations.
Tina Fey and Amy Poehler would save the Oscars, but they are too talented and too knowing to waste their time on that schlockfest.  They rejected an offer to host.  Has Ellen ever rejected an opportunity to promote herself?
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Matt Bristol of 'Breaking Amish: Los Angeles' stirs up drama

Matt Bristol ver futbol en vivo in TLC's "Breaking Amish: Los Angeles." (DCL / July 31, 2013)
August 2, 2013, 8:19 a.m.
With his hair tousled and aviator sunglasses resting on a table, Matt Bristol seemed like your typical Angeleno on a recent afternoon for lunch in Brentwood. 
But Bristol is a cast member on the TLC series “Breaking Amish: Los Angeles,” which dropped him in Venice Beach, a long way — literally and figuratively — from his home in Lancaster County, Penn., where he lives as a Mennonite.
“Breaking Amish: Los Angeles” premiered on July 21 to about 2 million viewers. The series is a spinoff from "Breaking Amish: New York,” which followed five young adults (four Amish, one Mennonite) as they left their traditional communities to explore life in the big city.
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“This whole experience actually drew me closer to God. Being on the show made me realize how important my beliefs are,” Bristol says. “I grew a lot by doing this [the show], finding out about who apuestas deportivas I am and where I want to go.”
Bristol was working at a general store in his hometown when he unwittingly struck up a conversation with a casting agent. Months later he found himself in a much different world.
Like many young people who come to Los Angeles, Bristol was chasing a dream. He has a passion for fashion design, one that he feels he acquired from a childhood chore of sewing. “My mom had to teach me something to keep me out of trouble” says Bristol, one of seven children.
In fact the shirt he was wearing at lunch, a short-sleeved, blue-striped button-down, is one of his own creations. He hopes to design a line of urban-inspired men’s clothing that retains the modesty of his upbringing. 
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“If you ask people from small towns where they want to visit, they all know the big cities like Los Angeles and New York,” says executive producer Eric Evangelista. Evangelista noted that casting the show is challenging because it can take up to five months to find young Amish adults who not only want to leave their communities but want.

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to do so on national television.
Bristol’s family became Mennonite when he was 7, and they moved to Lancaster County when he was 12. Lancaster is regarded as the hub for the Amish and Mennonite of the United States.
Bristol is the black sheep in the already unique cast of “Breaking Amish: L.A.” because he is the only Mennonite. “It’s really the same beliefs, they just practice it differently,” Bristol says.
Both branch from the Antabaptist church, but the Amish don’t use modern technologies. Mennonites aren't so strict and use electricity and even cellphones.
In Sunday’s episode, Bristol found himself at odds with his housemates when he suggested new rules that he called the 10 "ComMattments.” Bristol's ideas included maintaining celibacy and a ban on speaking Pennsylvania-Dutch, an Amish dialect that Bristol doesn’t speak but the rest of the cast does.
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(Meanwhile, on the same episode, Bristol was seen downing shots at Hollywood’s Playhouse nightclub and sleeping in the bed of fellow male cast member Devon.)
For now, Bristol is back in Pennsylvania working on a turkey farm, which is the job he had before “Breaking Amish: Los Angeles” and one that he’s kept for almost nine years. During the holiday season Bristol slaughters up to 1,700 turkeys in a day, a far cry from window-shopping on Rodeo Drive.
Bristol is trying to decide where to go next and whether he takes the plunge and moves to Los Angeles to pursue a fashion career or stays closer to home. "I enjoyed the beach and the people I met and, of course, the fashion," he says. 
But on Sundays, Bristol, who hasn't seen the final product, tunes in to relive the experience, "I have to watch like everyone else," he says.
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Sounds like a nice young man, but we'll see how the actually portray him in "reality" TV.  
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Third 'Glee' episode will address Cory Monteith's death

In this undated image released by Fox, cast members, from left, Kevin McHale, Chris Colfer, Jenna Ushkowitz, Amber Riley, Cory Monteith and Lea Michele perform during a scene from "Glee." Monteith, who shot to fame in the hit comaprador de apuestas TV series "Glee" but was beset by addiction struggles so fierce that he once said he was lucky to be alive, was found dead in a Vancouver hotel room, police said. He was 31. (Adam Rose / Fox / July 14, 2013)
August 2, 2013, 6:00 a.m.
The drug-related death last month of "Glee" star Cory Monteith will be addressed in the third episode of the Fox musical comedy when it returns next month, although it remains unclear if the circumstances of his passing will be part of the fictional show's plot.
Speaking to the media at the semi-annual Television Critics Assn. press tour here, Fox Entertainment Chairman Kevin Reilly initially said the episode in question "will deal directly with the incidents" of Monteith's passing.
However, in subsequent remarks Reilly seemed to backpedal from the suggestion that.

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Given that Monteith died only a few weeks ago, there was some surprise that "Glee" didn't take a long break before returning to production. Reilly said "Glee" star Lea Michele and Ryan wanted to "get back to work."
PHOTOS: Cory Monteith dies; 'Glee' star was 31
Fox will also produce public service announcements featuring cast members talking about the untimely passing of Monteith and the perils of drug addiction.
Reilly spent much of his time calling for more accurate television ratings that consider viewing on all platforms, including online and video-on-demand. While such measurements are available, a one-size-fits-all rating is still lacking.
"Measurement is something we've really got to do a better job of getting our hands around," Reilly said, noting that ratings that come the day after a show airs are becoming less relevant in determining the popularity of a particular program.
Reilly noted that "The Following," "Glee" and "New Girl" all see their ratings in the coveted 18-49 demographic increase by more than 50% when viewing from digital video recorders are factored into the mix.
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"Sometimes I read stories that nobody is watching network television anymore, well that's a lot of nobodies," Reilly said. "The audiences are still enormous across multiple platforms."
Reilly urged the media to dig deeper than next-day numbers when judging a show's performance. Shows on cable and Netflix, he observed, are often called hits even though their audience is much smaller than programs on Fox.
"You have to combine 'Louie' and 'Girls' together to get anywhere close to 'Mindy's' rating," Reilly said, discussing the ratings for the network's comedy, "The Mindy Project," compared with those two critical darlings.
As for Netflix, Reilly chided the streaming service for failing to release viewership information about its shows.
INTERACTIVE: Fall 2013 TV preview
"Netflix speaks loudly to an unreported mystery audience," he cracked, adding later that he was jealous that the company doesn't have to play the ratings game. "Good for them, they get to live in that world."
Although Reilly was trying to make the case that broadcast ratings no longer tell the whole story, he didn't shy away from the fact that Fox is coming off a season in which it saw declines in ratings and had several flops, including "Mob Doctor" and "Ben and Kate."
"We were down last year and that's the fact, we're going to be up this year," he said.
One key to turning Fox around will be fixing "American Idol," which is coming off a disappointing season. The only judge returning in January will be Keith Urban. Reilly said there was no news on who else would be tapped to succeed Randy Jackson, Mariah Carey and Nicki Minaj. The Fox executive confirmed there have been talks with Jennifer Lopez about her returning to the show, but no deal is on the horizon.
PHOTOS: Hollywood Backlot moments
Reilly also took heat from critics about the politically incorrect humor of the network's new situation comedy, "Dads," which is from Seth MacFarlane, the creator of "Family Guy" and director of the hit movie "Ted."
"I really ask you with that show in particular to have the discussion in January," he said. The critics did not seem willing to oblige, however.
Fox also announced it was going to make its own version of the hit British drama "Broadchurch," about the mysterious death of a boy and how it tears his seaside town apart.
joe.flint@latimes.com

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Copyright © 2013, Los Angeles Times
I hope she uses her and the show's voice as a call to action for celebs and others to raise awareness about ways to prevent more overdoses from happening. Huffpo: http://huff.to/1dXQ8em
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'The Daily Show' slams Congress for inaction on immigration reform

LATE NIGHT
August 1, 2013, 7:09 a.m.

With public disapproval of the.

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House of Representatives hovering somewhere around 77%, John Oliver joked on Wednesday's “Daily Show” that "Congress" is about to become “the English language’s most offensive C-word.”
And the House’s do-nothing reputation isn’t likely to improve, he argued, given that Republican leaders have refused to vote on a comprehensive immigration reform bill already approved with bipartisan support by the Senate.  
“Let’s just be honest now. The House is clearly where things go to die. It’s where parents are going to start telling their kids their aging pets went,” Oliver quipped. “Fluffy’s fine, darling, she just went to committee.”
PHOTOS: Hollywood backlot moments
The host suggested that one particular challenge facing the immigration bill was the, ahem, “misinformation” being spouted by some members of Congress. Case in point: Iowa Rep. Steve King, who shot to infamy last week when he suggested that most undocumented immigrants seeking legal status under the Dream Act are in the country for nefarious purposes.
“For everyone who’s a valedictorian,” he told the conservative website Newsmax, “there’s another 100 out there that weigh 130 pounds and they’ve got calves the size of cantaloupes because they’re hauling 75 pounds of marijuana across the desert.”
After noting that King’s comments are “hard proof” that he doesn’t use drugs -- “Does he have any idea what 75 pounds of marijuana looks like?” -- Oliver suggested that maybe the congressman is simply supporting the will of his constituents.
But even that turns out not to be the case: According to a poll, some 69% of voters in his district support apuestas deportivas comprehensive immigration reform, with 59% in favor of a pathway to citizenship.
PHOTOS: Celebrity portraits by The Times
Nor is “Unrepresentative King” alone in his distrust of immigrants, Oliver noted. There’s also Louisiana's   Rep. John Fleming, who last month said that many who come here do so “ill-prepared for success,” without the skills or education necessary to thrive.
“Exactly! Do we really want these tired, poor, huddled masses in this country?” Oliver asked. “Show me the place where it says that’s what we want! Show me the place!”
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Twitter: @MeredithBlake

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Copyright © 2013, Los Angeles Times
Americans want A Path to Citizenship.  Congress is standing in the way and more than 70% of Americans disapprove of the job Congress is doing.
Send them all to Russia. Company for Snowden.
Talk about "misinformation"= liberal lies.
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After brief blackout, CBS and Time Warner Cable resume talks

A notice Time Warner Cable apuestas de futbol showed subscribers when it briefly pulled a CBS-owned channel from its system. (July 29, 2013)
July 29, 2013, 10:05 p.m.
The tense negotiations for a new distribution deal between CBS and Time Warner Cable turned bizarre Monday night as the pay-TV distributor started to pull down networks owned by CBS, only to stop the process after a few minutes.
Around 9 p.m., Time Warner Cable alerted the media that it was pulling down channels owned by CBS including KCBS-TV Channel 2 and KCAL-TV Channel 9 in Los Angeles, KCBS-TV in New York and the cable network Showtime.
Time Warner Cable said in a statement that the "outrageous demands" by CBS forced it to remove several of its networks and local stations from its lineups. "We offered to pay reasonable increases, but CBS’s demands are out of line and unfair – and they want Time Warner Cable to pay more than others pay for the same programming," the company added.
PHOTOS: Cable versus broadcast ratings
"We're at war with Time Warner Cable," CBS Chief Executive Leslie Moonves said after a reporter showed him Time Warner Cable's statement during at a party the network was throwing at the Beverly Hilton to promote its fall television season.
But the war was short-lived as Time Warner Cable subsequently put out a statement that the channels had been restored at the request of CBS.
CBS then issued a statement that said negotiations with Time Warner Cable had resumed.
Although squabbles between programmers and distributors are fairly common, seldom does it reach a point that a signal gets taken off the air, especially in big markets such as Los Angeles and New York.
But as programmers become more aggressive by seeking higher fees from tight-fisted distributors, more blackouts are likely. The Federal Communications Commission typically prefers not to weigh.

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Consumers, of course, can still receive the CBS signal over the air for free with an antenna. Some CBS content is also available online. "Under the Dome," for example, can be seen on the Amazon Prime streaming service, although a subscription is required.
CBS is seeking a big increase in distribution fees for its stations, which Time Warner Cable is resisting. CBS, the most-watched TV network, argues that it is undervalued compared to cable channels that have lower ratings but collect higher distribution fees from pay-TV operators.
Media analyst David Banks of RBC Capital Markets said in a recent report that CBS is looking to increase the fee Time Warner Cable currently pays from less than $1 per-subscriber, per-month to a figure approaching $2 in the first year and with subsequent increases in later years.
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Copyright © 2013, Los Angeles Times
classic corporate greed that uses the consumer as pawns while in the end, they will tie up the courts at taxpayer expense and only law firms will benefit at the expense of the consumer as all expenses end up there anyway.
If you ever remember back in the mid to late 90s when the predecesor to Time Warner Cable, Adelphia ran campaigns about crimes against stealing, then what the hell do they call this.
With the Lakers and the Dodgers, and CBS.........If you TWC bill goes up one more cent..........I will be cancelling my program.
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Review: Power 106 FM's Powerhouse at Honda Center

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KendrickPowerhouse
Only one person got booed offstage at Power 106 FM’s sold-out Powerhouse concert at Anaheim’s Honda Center on Saturday night. Luckily for the show and its producers, it wasn’t one of the acts.

Halfway through the night’s nonstop lineup of hip-hop acts, the presiding DJs brought out a few local sports heroes, as they often do at Powerhouse. The Dodgers had won at Angels Stadium earlier that day, and before the host could even finish the phrase, “… From your Los Angeles Angels of Anaheim,” the hissing started. The poor Angels player, Torii Hunter, was only a few hundred yards from his home field and he suffered the wrath of unforgiving fans. Only the arrival of the Dodgers’ Matt Kemp saved the darkening mood and brought out a few cheers.

Perhaps L.A. Dodgers fans were in a mood for gloating. But the catcalls might have said something about this year’s Powerhouse and the state of local hip-hop as well. Unlike previous years, which leaned heavily on the insurgent dance-infused pop-rap that dominates today’s airwaves, this year’s Powerhouse was relatively orthodox and old apuestas deportivas school. With a bill heavy on traditional MCs such as T.I., Young Jeezy, Compton’s Kendrick Lamar and (in regal post-Coachella form) Snoop Dogg, the set suggested that L.A. rap fans, like L.A. sports fans, are interested in some tried-and-true success.
PHOTOS: Powerhouse 2012
The undercard at Powerhouse is rarely worth an early arrival, filled with mini-sets by relative newbies, but this year’s was an entertaining hot mess. Local upstart Kid Ink mined a Drake-ish singing-rapping hybrid style on his hit “Time of Your Life.” The DC rapper Wale, on a second round of fame after joining Rick Ross’ Maybach Music squad, has a refined snarl of a delivery — but he unfortunately spent most of his set turning his ire on his own DJ (even, at one point encouraging the audience to boo him — maybe that makes two jeering victims for the night). The cackling rapper YG reaffirmed his claim to the least classy morning-after anthem ever.

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penned as he performed his hit “Toot it and Boot It.”

The important part of the night truly started at Lamar’s set, and the 25-year-old proved he’s at an interesting juncture in rap stardom today. In the ’90s and early 2000s, to be Dr. Dre’s protege was to get the keys to a mansion with a Champagne moat. But despite a full-court press from nearly every serious figure in hip-hop, Lamar is working to break through to pop stardom. But he lived up to expectations here, roughing up his vocals and taking victory-lap trots through the songs “A.D.H.D.” and “The Recipe.”

Young Jeezy and T.I., each unimpeachable stalwarts of rap radio for the last decade, elaborated their tales of Atlanta drug culture in different ways. Jeezy, who relies more on rapping than his blustery ad-libs on his latest, “TM:103 Hustlerz Ambition,” softened his imposing presence a bit on “SupaFreak” and “Leave You Alone,” on which he was joined by Ne-Yo. T.I. has always leaned poppier, and though he alluded to his recent gun-running woes (“I had to take care of some things first”), his set was elastic and snappy -- and his guest MC, the Australian expat Iggy Azalea, made a worthy novice arena appearance.

The show’s final third seemed to misplace its priorities a bit. Snoop Dogg, fresh off playing to 140,000 people over two Coachella weekends, has become the éminence grise of the Power 106 universe. He could quit releasing new music entirely for the rest of his Doggfather reign and still headline shows like this on the strength of his catalog and slithery cool alone. So it felt weird that Roc Nation’s J. Cole and the local newbie Tyga, each young MCs figuring out their aesthetic, could headline over him.

The latter’s Lil Wayne cameo helped his bona fides, and Tyga’s clattering tune “Rack City” is a hit in any decade. But these days, Snoop seems to be aiming past mere rapping into the rare air of cultural transcendence. That’ll play in any arena.
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Photo: Kendrick Lamar performs during Powerhouse, the annual summer show from the rap station Power 106 FM, at the Honda Center in Anaheim. Credit: Katie Falkenberg / For The Times.
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Review: 'Breaking the Girls' tracks 'Strangers on a Train'

Shawn Ashmore, Madeline Zima and Agnes Bruckner in "Breaking the Girls." (Ryan Aylsworth / Myriad Pictures)
August 2, 2013, 12:23 p.m.
Though not credited as a remake, "Breaking the Girls" takes the basic premise of "Strangers on a Train," the Patricia Highsmith novel famously adapted to the screen by Alfred Hitchcock — I'll kill for you if you'll kill for me — and transports it to the modern day. Law student Sara (Agnes Bruckner) has had a run of misfortune brought on in no small way by a jealous classmate, costing her a job, a scholarship and a place to live. She also meets the rich, troubled Alex (Madeline Zima), setting in motion a series of events to solve all their problems.
The film's screenplay.

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Director Jamie ver futbol en vivo Babbit first broke through with her satiric comedy "But I'm a Cheerleader" before moving mostly to television, working on a wide swath of smart shows including the recently departed "Bunheads." She and her screenwriters have fun throughout, flirting with making the film as a self-aware late-night-cable erotic thriller, as in the three-way make-out scene in a pool that playfully rebuffs the male fantasy of the moment.
"Breaking the Girls" isn't exactly a throwaway, but more an extended act of teasing foreplay, a movie that is fine for what it is but also never really shifts into something more.
mark.olsen@latimes.com
---------------------------
"Breaking the Girls"
MPAA rating: None.
Running time: 1 hour, 23 minutes.
Playing: At the Arena Cinema, Hollywood.

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Review: 'Europa Report' gets good mileage from low-budget sci-fi

Karolina Wydra in "Europa Report." (Magnet Releasing)
August 1, 2013, 3:30 p.m.
"Europa Report" is a Grade A version of a B picture, a streamlined science fiction story that smartly tells a familiar tale without breaking the bank.
Though modern moviemaking often mandates that science fiction be synonymous with multimillion-dollar expenditures, director Sebastian Cordero and a crack team including cinematographer Enrique Chediak and production designer Eugenio Caballero (who won an Oscar for Guillermo del Toro's "Pan's Labyrinth") have crafted a visually sophisticated film that elegantly involves audiences on a budget of less than $10 million.
While cinematic spaceships have been leaving our planet for distant destinations at least since Georges Méliès' 1902 "A Trip to the Moon," the unfolding narrative of Europa One (named for the moon of Jupiter it's headed for) captures the excitement of space travel in a way that's not business as usual.
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As written by Philip Gelatt, "Europa Report" is a mock documentary supposedly compiled from thousands of hours of declassified footage taken by eight on-board cams as that ship sped the nearly 400 million miles to Europa. Interviews with Earth-bound project director Dr. Samantha Ungar (Embeth Davidtz) and archival TV news footage fill us in on necessary background.
That TV footage reveals that, excited by indications of conditions on Europa that could produce life, private investors put together $3.7 billion to fund a mission in hopes of making what one scientist calls "the single most profound discovery in human history."
The ship has a six-person, multinational crew whose most memorable members are James Corrigan (Sharlto Copley of "District 9"), who is always making videos for his son; dour Russian Andrei Blok (Michael Nyqvist, the star of the Swedish versions of "The Girl With the Dragon Tattoo" trilogy); and short-haired and sparky pilot Rosa Dasque (Romania's Anamaria Marinca of "4 Months, 3 Weeks, 2 Days").
The gang gets a jolt early in the film when they lose communication with Earth and the crew has to go on for months burdened by the knowledge that "no one knows we're alive."
That loss, combined with a terrifying incident involving two of the crew members, puts everyone on edge as they get closer and closer to Europa.
PHOTOS: Movies Sneaks 2013
Once the landing module alights on this spooky moon, things get increasingly difficult. One virtue of "Europa Report" is that it allows us to feel everyone's insecurity and fear as situations arise that are definitely not in the apuestas online space explorer's handbook.
While "Europa Report" does quite well dramatically without breaking any new ground, its great strength is how striking it is visually and the stratagems it employs to make itself memorable.
Determined to create as realistic a look for the spacecraft as possible, not to mention a credible moonscape for Europa, production designer Caballero consulted closely with scientists from NASA, the Jet Propulsion Laboratory and SpaceX, the Elon Musk-founded private space travel company. The results feel convincing in a way other films have not always managed.
Because of the nature of the script, Caballero had to construct an enclosed 360-degree set, essential for using cinematographer Chediak's system of eight fixed cameras that mimic the spaceship's always-on cams.
"It was unique in that every other movie I've done you move the camera to accommodate the actors," Chediak has said. "On this particular project, you move the actors to accommodate the cameras."
In an age of cynicism and sarcasm, "Europa Report" is also noteworthy because it manages to maintain an air of idealistic hope and a belief in the value of classic questions like "Are we alone?" When one of the crew speaks up and says, "What does a life matter compared to the breadth of knowledge to be learned?" that's the message of the film as well.
kenneth.turan@latimes.com
'Europa Report'
MPAA rating: PG-13 for sci-fi action and peril
Running time: 1 hour, 30 minutes
Playing: At Sundance Sunset, West Hollywood

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This review pretty much nails what I thought of this movie. I thought it's ballyhooed adherence to real science was a marketing gimick, but, no, it adds to the suspense of it. The cast is excellent. Their low key approach furthers the believabilty of the wonder & the strangeness of being so far far away from home.
I hate to review budgets. I loved "Man Of Steel", but this film rates up there with it & proves, like "Moon", that less is sometimes more . It is far & away the best "lost footage film" I've ever seen. It maybe this year's "District 9" --a film that comes out from nowhere to stun us.
People who love science fiction films --science-based fiction films-- must see this awe inducing film.  
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Review: '2 Guns' slick, but Washington and Wahlberg grate

August 1, 2013, 1:55 p.m.
The only thing simple and direct about "2 Guns" is its title. This self-consciously nihilistic action movie is one slick piece of business as well as something of a double-edged sword.
On one hand, it can be briefly diverting to see Icelandic director Baltasar Kormakur and stars Denzel Washington and Mark Wahlberg use style and attitude to put a different spin on traditional genre plot dynamics in a story of misplaced drug money and mistaken identity.
But it's also true that the plot of "2 Guns" — filled as it is with multiple feints, dodges and mystifications — is so tricky that events all but evaporate as soon as they happen. Though individual set pieces are well done, the film inevitably leaves an empty taste behind it once it's done.
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Written by Blake Masters and based on Steven Grant's series of five graphic novels, "2 Guns" throws us into the middle of a story, then almost immediately tells us that everything we think we know about that story is completely wrong.
We're introduced to Robert "Bobby" Trench (Washington) and Michael "Stig" Stigman (Wahlberg), a pair of wise-cracking hard guys whose glib patter is more irritating than amusing.
Seated in a diner in a small Texas town, they're directly across the street from the Tres Cruces Savings & Loan, a fiduciary establishment with ties to a Mexican drug cartel that they are fixing to rob.
Just a week earlier, however, both men were south of the border trying to do a deal with the cartel's leader, ruthless Manny "Papi" Greco (Edward James Olmos).
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Nothing about Trench and Stigman, as it turns out, is as it seems, including.

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Even more baffling is the fact that this small-town savings & loan turns out to have more money in its vaults than either man anticipated. A whopping $40 million more, which scares the pants off everyone involved, including Trench's DEA boss Deb Rees (Paula Patton) and Stigman's superior officer Lt. Cmdr. Quince (James Marsden).
Not amused one little bit by the robbery is Earl (a nasty Bill Paxton), who shows up representing the owner of all that money, an entity whose identity the film keeps secret for as long as it can. A man so scary he is known as "God's S.O.B.," Earl is beside himself when it turns out that no one, including Trench and Stigman, seems to know where that money they stole has disappeared to.
Though they are both arrogant and antisocial, these two guns are forced to cooperate in the face of Earl's machinations if they want to stay alive in a world where you never know where you stand.
It can be fun initially to see how director Kormakur, who first came to international attention with expert Icelandic films such as "101 Reykjavik" and "Jar City," doles out this information to us with cinematic elan (helped by energetic, persuasive editing by Michael Tronick). But this is not enough for the long haul, particularly when Trench and Stigman's non-winning personalities and the film's exploitative attitude toward women and violence are added into the mix. Slickness can apuestas deportivas take you only so far.
kenneth.turan@latimes.com
"2 Guns"
MPAA rating: R for violence throughout, language and brief nudity
Running time: 1 hour, 49 minutes
Playing: In general release

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I beg to dissagree with this review. I just watched 2 Guns and found the movie entertaining  , fast paced, well acted and suspensful. Mark could have 'toned it down ' a notch but all in all a good movie. Go see it.
Mark Wahlberg is a racist piece of crap.
http://www.thesmokinggun.com/documents/crime/back-day-marky-marks-rap-sheet-0
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Review: 'Computer Chess' a few moves away from great satire

Patrick Riester as Peter Bishton in "Computer Chess." (Kino Lorber / July 31, 2013)
August 1, 2013, 3:21 p.m.
You need no particular knowledge or affection for the game of kings to appreciate the whimsy of "Computer Chess."
The genius of this indie is its cleverness in capturing the driest of times and the dullest of people in a faux documentary about the early days of man versus machine at the chessboard.
"Computer Chess" does not reach the heights of the grand master of faux, Christopher Guest, whose "Best in Show" and "Waiting For Guffman" are brilliant studies in satire. But director Andrew Bujalski makes a serious play for his own place in the pantheon of hysterically pretentious pretend.
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Bujalski, who also wrote the film, takes us to the early 1980s, when computer nerds were not high-tech, high-rolling whiz kids with stock options in the millions. Instead, he's populated the. Sports activities betting is an action of predicting sports activities benefits by creating a wager on the outcome of a sporting event. Possibly much more than other varieties of gambling, the legality and general acceptance of these sports activities betting varies from nation to nation. The pioneer in gambling of all varieties, particularly horses, greyhounds and sports has been the United kingdom. Even so, due to the fact 2002 is becoming carried out all the growth of virtual betting houses, focusing on sports betting, which is coming to all European and American nations. A sample of this development can be observed in the detail of that sports betting is the existing sponsor of Real Madrid.

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place with the pocket-protector bunch complete with Coke-bottle glasses, bad haircuts and a perpetual state of social unease.
A few of the brightest — MIT and Caltech sensations among them — have gathered for a regional weekend conference to pit their programming skills and their latest chess software against one another. The winner will take on a chess master, an old-school conventional type portrayed by Gerald Peary.
As Henderson, sporting the requisite department-store suit, white shirt and dark tie, he is also the convention's host, making the bold prediction that it will be 1984 before a computer will best him.
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In real life, it would be the late 1980s before machine would beat man at this particular game and another decade before the famed 1997 face-off between world champ Garry Kasparov and Deep Blue. The win went to Blue.
Bujalski is not interested in such high-profile doings. His film is very much on computer chess in the trench warfare stage. The hard drives are still gigantic, waist-high and require a couple of guys to push into place. The "play" itself is spit out in computer code with a person moving the indicated piece on an actual board.
Lurking around the edges is a cameraman (Kevin Bewersdorf) with a first-generation camcorder recording "history in the making." The film extends the effect — grainy black-and-white, hand-held shake and dizzying pans. Instead of a distraction, the found-footage feel only adds to a sense we've been taken to a place out of time. Helping is director of photography Matthias Grunsky, costume designer Colin Wilkes and production designer Michael Bricker's keen attention to detail.
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The chess match is not the only game in town; the competition is sharing hotel space with a couples-therapy group. And much is made of the lone female programmer, a convention first. But Shelly (Robin Schwartz) is barely audible — this is still a boys' club.
The focus soon narrows to one team — a more conventional group anchored by Peter (Patrick Riester) and Martin (Wiley Wiggins) — and one rogue programmer named Michael Papageorge (Myles Paige). Things are not going well for either.
The actors have to walk a fine line between playing it straight while getting as close as possible to absurd. For the most part, they do a good job of it.
Scheduling issues provide additional complications in the plot. But these threads and the couples-therapy scenes feel more of an afterthought. When a couple try to recruit one of the nerds for sex games, it threatens to destroy the illusion.
But I guess it is only fitting that a film about computers would have a few glitches.
betsy.sharkey@latimes.com
----------------------------
'Computer Chess'
MPAA rating: Not rated
Running time: 1 hour, 32 minutes
Playing: At Nuart Theatre, West Los Angeles

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I got to see this piece of work Thursday night. Totally loved it! The film was unlike anything I've ever seen and I couldn't agree more with this review. The whole irony in the humor is that there aren't any punchlines, it's the whole feel of the movie that provides the laughs. Bujalski did an amazing job on this film, I completely respect him and have developed a new found admiration for him. I'm definitely going to have to check out some of his other films.
I have to applaud Andrew Bujalski for completing a project so experimental and esoteric that it's refrshing and inspirational to watch--to an extent. This is absolutely nothing like what Christopher Guest does. This film is too spot on (he used real computer programers and friends to play characters) to draw out the satire. There is no wit in the dialogue in this film. I do hope Bujaiski pursues mockumentaries but the beauty is in the wit and editing. Coming out of this film, was there one remerable line? I know 99 percent was improv, but this is percisely why you need charaters who can pull that off iike Eugene Levy, Michael KcKean or Jennifer Coolidge. I'm sure there are some excellent unknown improv actors out there he could Tap into. A cat walking out of the elevator is not funny. I became interested when the film turned fantastical at the end, but it was disjointed. Bujalski has something different to offer and just that is exciting for those of us who love a great mockumentry. But get more irony, sarcasm, ridicule and wit into the film to expose the vice of your choice--which is the definition of satire.
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Review: 'The Spectacular Now' is an intoxicating brew of teen angst

August 1, 2013, 2:04 p.m.
In the opening moments of "The Spectacular Now," 17-year-old Sutter is trying to bluff his way through the infamous personal essay on a college application. He is fortified by drink as he tries out charm, wit, cynicism and insult — everything but honesty.
It's a perfect start for this culturally astute drama, spiked with enough comedy to make it splendidly intoxicating to watch.
In movies, coming-of-age has become convenient shorthand for the crush of stories about the high school crowd — sci-fi, drama, comedy, horror, take your pick. That's made it far too easy to lose touch with how complicated the sorting out of impending adulthood can be.
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Until something like "The Spectacular Now" comes along to remind us.
Miles Teller and Shailene Woodley, as high school seniors Sutter and Aimee, bring such an authentic face of confidence and questioning, indifference and need, pain and denial, friendship and first love, that it will take you back to that time if you're no longer there, and light a path if you are.
This particular path is a treacherous one. Sutter and Aimee are forced to navigate the not-so-spectacular now — when teen alcoholism is as much a fact of life as broken and blended families are the norm. They are ordinary kids, bruised in ordinary ways, growing up in an ordinary suburb.
Essentially they represent the mean of the teenage experience that Tim Tharp's novel captured so smartly. Screenwriters Scott Neustadter and Michael H. Weber, who brought a buoyancy and pique to "(500) Days of Summer," have done fine work in adapting for the screen, reverent of the source, unafraid to make it their own.
The topic was a natural for director James Ponsoldt. The ways in which overindulgence frames a downfall, defines a relationship, resists a rescue, is a specialty of his. In 2006, the issue was aging alcoholics in "Off the Black" with Nick Nolte. In 2012, he tackled a apuestas de futbol married couple united by spirits, then divided by sobriety in the excellent "Smashed."
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As good as the earlier films are, Ponsoldt was only doing spadework for his best yet, his tenderest.
Sutter is heading toward graduation conflicted about the future. He's got a sarcastic take on growing up, an effortless charm that gets him around most scrapes and a flask full of whiskey to help him live in the "now." His preferred state of existence is buzzed.
He's a popular kid with a reputation for being the life of the party; by the time we meet Sutter the apuestas deportivas whiskey is starting to get in the way. The film will ease through a series of typical teenage issues that hound him. The teachers who see his intelligence squandered. Mom (Jennifer Jason Leigh) even more frustrated that her smart son is failing at everything. Their fights always get back to her refusal to give Sutter a number for his idolized absentee dad (Kyle Chandler). His girlfriend Cassidy (Brie Larson) is beautiful but with ever-higher expectations. His best friend Ricky (Masam Holden) is his anchor and Aimee is a new project on the horizon.
Aimee is her own pack of problems. A straight-A student, sweet and pretty enough, but not in a way that anyone notices. She's got a habit of thinking she's not worth much and a tendency to let the world run over her. Sutter intends to change that.
They meet — officially — about 5:30 one morning when Aimee finds Sutter passed out in the front yard of a house on her paper route. Aimee thinks he's dead. When he's not, they finish the route together. She drives; he throws. Both talk, through and around things large and small, as teenagers are wont to do.
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It begins an unlikely friendship that might be mistaken for the first chapter of a possible love story. There are a lot of "ifs" in Sutter's world.
Beyond the girls, grades and graduation, "The Spectacular Now" is interested in the idea of Sutter's acceptance — by college, peers, parents, bosses and most significantly and hardest to come by, himself. The turning point will be the teen's reconnection with his dad. A darker-than-usual turn for Chandler, the "Friday Night Lights" perfect father figure dives deep to make the most of the disappointments he delivers.
Woodley, whose breakout came in 2011 as the rebellious teenage daughter holding her own opposite George Clooney in "The Descendants," shows a very different — diffident — side in Aimee. The actress finds the right balance between the insecurities and pragmatism of a kid.

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But this is Teller's film. The actor, so badly used in spring's miserable "21 & Over," has a breakout performance in his teen at a crossroads. The actor infuses Sutter with such charisma that it's difficult not to forgive his many stumbles even when no one else — except Aimee — does.
Teller allows Sutter's decline, like the booze, to sink in slowly so we can see all that is buried beneath the swigs and shots.
betsy.sharkey@latimes.com
Twitter: @BetsySharkey
-------------------------------
'The Spectacular Now'
MPAA rating: R for alcohol use, language and some sexuality, all involving teens
Running time: 1 hour, 35 minutes
Playing: At ArcLight Hollywood; the Landmark, West Los Angeles

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Review: 'The Gardener' digs into the Bahai faith

Eona the gardner reflects Paula, the canadian who teaches children in the film, in his mirror in the movie "The Gardner." (Handout / July 31, 2013)
July 31, 2013, 6:04 p.m.
The free-form documentary "The Gardener" takes acclaimed, exiled Iranian filmmaker Mohsen Makhmalbaf ("Kandahar") and son Maysam to Israel to investigate the 170-year-old Bahai faith, which — although based in Haifa —has its roots in Persia. Unfortunately, the elder Makhmalbaf, who wrote and directed, puts many spins on this ethereal mood piece — it is by turns poetic, impressionistic, metaphorical and even a bit trippy — without satisfying such genre basics as structure, depth and resolution.
Makhmalbaf, the first Iranian filmmaker in decades to shoot a movie in Israel, has a noble aim: to better understand why so many Iranians have been vilified for following the Bahai religion, despite its teachings of peace and harmony (unlike Islam and Christianity, which have at times been associated with violence).
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That said, Makhmalbaf, a self-described agnostic (though onetime Islamic militant), skims the loaded topic via earnest chats with several beatific Bahai adherents, including the film's Papua New Guinea-born title character, who tends Haifa's stunning Bahai gardens, where much of the picture was shot. More attention, however, is paid to random musings, quasi-symbolic visuals (birds are of special fascination) and stagey beats than to effective probing.
Only when Mohsen and Maysam argue the merits and debits of religion does the film gain steam; Maysam's side trip to Jerusalem to survey the seemingly paradoxical coexistence of its three chief religions — Judaism, Christianity and Islam — adds heft, even as it echoes a kind of snark-free version of Bill Maher's "Religulous."
-----------------------
"The Gardener"
MPAA Rating: None
Running time: 1 hour, 22 minutes. In English and Farsi with English subtitles
Playing at: Laemmle's Music Hall, Beverly Hills.
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Try this again. A link to my review: http://www.examiner.com/review/the-gardener-puts-the-baha-i-faith-blurry-focus
First, I truly feel that someone needs to check your photo caption. You misspelled "gardener" and forgot to capitalize the first letter of the word "Canadian." The credits list the full name of the man as: Ririva Eona Mabi. The full name of the woman is Paula Asadi. 
Next, if you check in your AP Stylebook, the correct way to write Baha'i includes an apostrophe. 
I could quibble about the use of Persia and.

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Iran, but that is a minor point. 
I think there is also some subtext that this reviewer missed, too. 
 
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Here's a link to my review: http://www.examiner.com/review/the-gardener-puts-the-baha-i-faith-blurry-focus
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Movie review: Undead in East End in 'Cockneys vs. Zombies'

Alan Ford (L) and Honor Blackman (R) in "Cockneys vs. Zombies." (Handout / July 31, 2013)
July 31, 2013, 5:29 p.m.
You don't call a movie "Cockneys vs. Zombies" because you yearn for cinematic subtlety. Matthias Hoene's feature film debut is the umpteenth infection in the undead epidemic rampaging through pop culture. And it's all that the title implies: brash East Enders gone Mum and Dad over a right goppin' bunch of flesh-eatin' nutters, whose Khybers need kickin', mind you!
You don't need a cockney rhyming slang dictionary, however, to grasp that young bank robbers Andy (Harry Treadaway), Terry (Rasmus Hardiker), and Katy (Michelle Ryan) suddenly find themselves in the midst of a zombie outbreak (for which their guns prove handy). Or that besieged old age pensioners — including geezer-gangster staple Alan Ford — having to ward off equally slow zombies is a joke that grows old quickly. The gore-comedy genre already boasts two classics in Peter Jackson's "Braindead" and the spoofy homage "Shaun of the Dead." So there's little that feels fresh, freaky or funny about one more batch of eccentric reactions to hungry corpses, one more attempt to creatively splatter, one more metaphor for zombie invasion.
"Cockneys vs. Zombies" might as well be "Babies vs. Zombies" or "Cats vs. Zombies" — strictly for addicts who don't care where their undead fix comes from.
------------------------------

"Cockneys vs. Zombies"
MPAA rating: None.
Running time: 1 hour, 28 minutes.
Playing: At Laemmle Music Hall, Beverly Hills.

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I saw the re-animator they just don't make them like they use to. for those of you who have not watch the movie yet, maybe it's playing on one of my favorite sites http://cf7c3o6xdxes3n7b0tpz2a2fo0.hop.clickbank.net/
The gore-comedy genre already boasts two classics in Peter Jackson's "Braindead"and the spoofy homage "Shaun of the Dead."
What about the BEST zombie comedy of all time, the classic Re-Animator?? If you are a fan of horror, zombies & comedy, SHAME ON YOU if you have not seen Re-Animator. Go see it NOW!!!
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Review: 'The Artist and the Model' delicately walks a fine line

A still from "The Artist and the Model." (Cohen Media Group / July 31, 2013)
July 31, 2013, 5:18 p.m.
The lovely and poignant drama "The Artist and the Model" stirringly presents art, life and death as one irrevocably tangled trio. That it's set against the German-occupied France of World War II — and all the civilian wariness and reflectivity that went with it — deeply dimensionalizes the movie's rich characters and complex themes.
At its heart, this talent-heavy film, directed by Fernando Trueba ("Belle Epoque," "Chico & Rita") from a script he wrote with veteran screenwriter and frequent Luis Buñuel collaborator Jean-Claude Carrière, involves the symbiotic relationship between an aging sculptor, Marc (Jean Rochefort), and Mercé (Aida Folch), a young Spanish activist who becomes Marc's model after she escapes a prison camp in the South of France.
Marc, a renowned if isolated artist who counts Cézanne and Matisse among his friends, slowly rekindles his creative passion by working with the attractive, open-minded Mercé, who in ver futbol en vivo turn gains wisdom and confidence under Marc's intensely discerning eye.
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Though Mercé spends much of the film in the altogether, her modeling moments with Marc never feel gratuitous or creepy as Trueba and Carrière apuestas de futbol delicately explore the.

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fine line between artistic appreciation and sexual allure. Marc and Mercé share several beautifully crafted scenes — their mutual analysis of an inspiring Rembrandt drawing, Marc revealing his singular take on original sin — that skillfully, well, flesh apuestas deportivas out their dynamic beyond simply sculptor and subject.
With his aristocratic face and haunted gaze, venerable French star Rochefort ("Pardon Mon Affaire," "The Hairdresser's Husband" and so many others) turns in a masterful, finely measured performance as the weary Marc; Folch nicely holds her own against him. As Marc's longtime wife — and onetime muse — famed 1960s movie sex symbol Claudia Cardinale ("81/2," "Once Upon a Time in the West") provides generous support and a warm dose of enduring glamour.
Daniel Vilar's evocative black-and-white photography adds grace and authenticity to this unhurried, highly memorable tale.
---------------------------------

"The Artist and the Model"
MPAA rating: R for sequences of graphic nudity.
Running time: 1 hour, 45 minutes. In French and Spanish with English subtitles.
Playing: At the Landmark, West Los Angeles.

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Review: 'The Smurfs 2' lives up to predecessor's mediocre standards

Grouchy (George Lopez), Vanity (John Oliver) and Papa Smurf (Jonathan Winters) in "Smurfs 2." (Columbia Pictures / Sony Animation / December 18, 2012)
July 30, 2013, 5:21 p.m.
Right down to the brute functionality of its title, "The Smurfs 2" may be the platonic ideal of a major studio sequel — no markedly better or worse than the first and with just enough difference to lay claim to being something new. Just as with the 2011 film "The Smurfs," the new "The Smurfs 2" is a passable mediocrity.
Again mixing live-action with computer animation, the story this time revolves around the bad wizard Gargamel (Hank Azaria), who has been apuestas de futbol performing as a magician in modern-day Paris, kidnapping Smurfette (voiced by Katy Perry) as part of a plan to bring about "Smurf-A-Geddon." He is aided by two of his own creations, "the Naughties" known as Vexy and Hackus (voiced by Christina Ricci and J.B. Smoove).
Papa Smurf (voiced again by Jonathan Winters, who died in April) travels from Smurf Village with a B-team of lesser Smurfs: Clumsy, Grouchy and Vanity (voiced by Anton Yelchin, George Lopez and John Oliver). The Smurfs call upon the human couple who helped them in the first film (played by Neil Patrick Harris and Jayma Mays), who now have a son named Blue (Jacob Tremblay).
RELATED: Katy Perry's grandma steals.

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the spotlight at 'Smurfs 2' premiere

The big addition to the live-action cast is Irish actor Brendan Gleeson, taking a break from tough-guy roles to play the bungling stepfather of Harris' character. (Though ver futbol en vivo it's hard not to wonder why no French actors were used in the cast, what with the Paris setting and all. Mathieu Amalric wouldn't return calls?)
Directed by Raja Gosnell, who also made the first film, the new "Smurfs" has a screenplay credited to J. David Stern, David N. Weiss, Jay Scherick, David Ronn and Karey Kirkpatrick. There are quick references to "Scarface," "The Empire Strikes Back," "The Hunchback of Notre Dame," "Breakfast at Tiffany's" and perhaps others presumably to keep the parents in the audience awake, though an incongruous passing joke on "no means no" is the wrong kind of jolt. But there's also a joke about Smurfs farting in the bath, so maybe it evens out.
Current "Daily Show" host Oliver seems to be having the most fun among the voice cast, though there is an awful lot of talent that goes largely untapped, including Paul Reubens, Jimmy Kimmel, B.J. Novak, Kenan Thompson and Shaquille O'Neal, as their characters are in only the short framing scenes set in the Smurf Village. As in the first film, many of the best moments here come from the playfully spiteful exchanges between Azaria's Gargamel and his sort-of talking cat Azrael, with a liveliness the Smurfs themselves somehow lack.
Even though the "Smurfs" films never quite took full advantage of Winters' antic comedic gifts in the role as the softly wizened Papa Smurf, the end credits feature a dedication to the late comedy legend for "making the world a smurfier place." The acknowledgment is a classy touch.
mark.olsen@latimes.com
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'The Smurfs 2'
MPAA rating: PG for some rude humor and action
Running time: 1 hour and 45 minutes
Playing: In general release

PHOTOS AND MORE

VIDEO: Upcoming summer films

VIDEO: Upcoming summer films

The Envelope

ENVELOPE: The latest awards buzz

NC-17 movies

PHOTOS: Greatest box office flops

 
Copyright © 2013, Los Angeles Times
Currently there are no comments. Be the first to comment!

Every show. Every game. Every ticket.
Be the first on your street to see the show.
Share your summer travel photos. We'll publish the best in print and online. 2012 highlights

Vince Stanzione 10 Tips From a Spread Trading Veteran to Help You Put the Odds in Your Favour

When you have been trading futures, options, stocks and commodities for over 24 years; it can be easy to forget what it was like starting out. In this article I will share with you some of my secrets that I wish I
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